| Synthesizers | Issue | Page |
| 7 Deadly Synths | Sep 03 | 41 |
| Analog Renaissance: A Look At the Newest Modular Synthesizers | Jun 06 | 46 |
| Analog Super Models: Analog Modeling Synths | Aug 02 | 50 |
| ARP Odyssey | Dec 00 | 34 |
| The Art & Craft Of Using E-mu's Proteus | Mar 90 | 66 |
| Back To The Future | Mar 92 | 52 |
| Colors For Your Canvas | Jul 93 | 46 |
| Doing the String Thing: Realistic String Parts | Oct 98 | 37 |
| Electronic Artisans - How Synthesizers Are Made | Apr 93 | 54 |
| Electronic Expression | Feb 94 | 84 |
| Emulating the Real Thing: Synthesizing Acoustic Intruments | Feb 03 | 87 |
| Field Trip: New England Synthesizer Museum | Apr 96 | 31 |
| Franken Synth: Synth Programming Secrets | Sep 95 | 24 |
| Generating Good Karma | Apr 02 | 77 |
| GM Modules For the Masses | Feb 01 | 95 |
| The Grand Illusion: Digital Analog | Jul 94 | 51 |
| Guide To Keyboard Synthesizers | Nov 90 | 34 |
| Guide To Expander Modules | Feb 91 | 70 |
| Hohner Clainet | Mar 01 | 38 |
| Hot Rod Mods | Nov 92 | 58 |
| The Ins and Outs of LFOs | Jul 06 | 78 |
| K2000 Workshop | Mar 93 | 37 |
| Keys To The Sonic Kingdom - Guide To Synthesizers | Apr 93 | 31 |
| Korg M1 | Jun 01 | 36 |
| Korg MS-20 | Sep 00 | 34 |
| Living Fossils: Modular Analog Synths | Nov 95 | 70 |
| Microtining: Alternate-Tuning | Feb 02 | 140 |
| Microtuning | Mar 94 | 78 |
| Modular Music Machines | Oct 93 | 30 |
| Moog Minimoog | Nov 00 | 38 |
| Moog Music Prodigy | Dec 01 | 36 |
| Morphology: Secrets Of The E-mu Morpheus | Aug 94 | 33 |
| Multi-Timbral Muse - Yamaha's Sound Modules | Nov 96 | 78 |
| No Strings Attached | Feb 92 | 37 |
| Oberheim OB-8 | May 01 | 38 |
| Operators Are Standing By: FM Synthesis Offers Powerful Sonic Potential | Aug 06 | 78 |
| Oxford Synthesizer Company Oscar | Mar 02 | 34 |
| Programming The Casio CZ101 | Apr 92 | 59 |
| Programming the Roland Super JV | Mar 96 | 56 |
| Programming The Yamaha TX812 | May 92 | 33 |
| Proteus Power: Tips For Emu's Proteus 2000 | Nov 00 | 83 |
| Quadraphenia: Alesis QuadraSynth | Feb 95 | 31 |
| Random Bursts: Noise As A Synthesis Tool | Dec 05 | 72 |
| Revisiting the LFO: Realistic Vibrato and Modulation Tricks | Mar 06 | 68 |
| Roland Juno-106 | Oct 00 | 42 |
| Secrets Of The Yamaha FB-01 | Jan 89 | 26 |
| Sequential Circuits Prophet-5 | Aug 00 | 30 |
| Something Old, Something New: Analog Modular Synthesizers | Apr 01 | 60 |
| Sonic Sorcery: Ensoniq's TS-Series | Dec 94 | 57 |
| Sound Bridnge Sorcery: Transform Your Alesis QS Synth's Sound and Sequencing Powers | Jul 00 | 80 |
| Synth Bass-ics: Convincing Electronic Bass Sounds | Dec 06 | 70 |
| Synth Programming 101: Learn How To Tweak Your Brand-New Synth | Oct 02 | 98 |
| Tabletop Orchestras | Mar 95 | 45 |
| Taking Control: Control Voltages | Dec 05 | 74 |
| Taming The Triton: Programming the Korg Triton | Jun 01 | 83 |
| The Tower Of TechnoBabel | Jul 94 | 96 |
| The Truth About Synthesis | Feb 91 | 102 |
| Too Much Fun: K2000 FUNs | Jan 98 | 78 |
| Travelling Companions: Portable Keyboards | Aug 96 | 46 |
| Tweaking Synths: Part 2 | Jul 92 | 70 |
| Unearthing Antiquities | Nov 94 | 66 |
| Vector Programming Workshop - Korg Wavestation | Sep 91 | 68 |
| Vector Programming Workshop - Yamaha SY22, TG13 | Oct 91 | 33 |
| Workhorse Workstations: Seven Wonder Machines | April 98 | 50 |
| Yamaha DX7 | Jan 01 | 38 |