Jun 88 - Current
Contents
Reviews
|
| Software | Issue | Page |
| 3D Audio | Oct 92 | 38 |
| 6-String Computer Tutors | April 98 | 36 |
| 8 Groovy Tips For Beat Detective | Dec 05 | 37 |
| Add It Up: Additive Synth Tools | Oct 07 | 80 |
| Advanced Logic: Logic Audio | Jun 96 | 90 |
| Adventures in Vocal Processing: Vocal Effects Software | Nov 06 | 45 |
| All the More Reason: Navigate, Automate, and Arpeggiate with Reason 4 | Jan 08 | 30 |
| All is Not Lost: Perceptual Encoders | Oct 06 | 39 |
| All Over The Map: Editing and Remapping MIDI data | Aug 03 | 81 |
| Analyze This: Metering and Analysis Programs | Dec 07 | 52 |
| Apple Loops For All | Jan 06 | 84 |
| Apple Loop Logic: Create Your Own Apple Loops in Logic Pro 7 | CMPG 06 | 44 |
| AudioActivity | Nov 95 | 154 |
| Automatic Improvements: DAW Automation Features | Nov 05 | 84 |
| Bargain Hunter's Delight: Inexpensive Soft Synths | May 04 | 42 |
| Beat Generation: 13 Software Drum Machines and Modules | Sep 04 | 42 |
| Beats, Bass, & Bliss: Spectrasonics' Virtual Instruments | Oct 03 | 35 |
| Beat the Blahs: Revitalize Drum Loops With Reason 4 | Jun 08 | 74 |
| Best of Reaktor | Nov 04 | 30 |
| Better Waveforms: 2-Track Audio Editors for MAC and Windows | Mar 99 | 45 |
| A Big Mac and a Side of Plug-Ins: OS X Plug-In Wrappers | Aug 04 | 66 |
| Building a Reaktor | Sep 00 | 88 |
| By the Slice: Beat the Hassle Of Changing Tempo | Oct 03 | 78 |
| Cheap Fares: Software Under $50 | Aug 08 | 32 |
| CD-R The Software Cook-Off | Mar 98 | 44 |
| Closing the Loop: Loop-slice Pointers | Apr 03 | 39 |
| Closing the Loop: Loop-slice Pointers | CMPG 04 | 10 |
| Comping a Vocal Track | Nov 99 | 94 |
| Comping Tracks in Live 6 | Sep 07 | 74 |
| Complete Control - Universal Editor Librarians | Jun 90 | 54 |
| Controlled Chaos: Great Results From Stylus RMX Chaos Designer | Feb 07 | 70 |
| Convolution Reverb and Beyond: SoundHack | Apr 05 | 76 |
| Creative Looping: Classic and Modern Techniques | Jan 04 | 29 |
| Csound Comes of Age | Jul 02 | 39 |
| Cultural Diversity: Eleven Software Instruments Deliver Sounds From Around the World | Sep 06 | 40 |
| Customizing QuickTime MIDI | May 01 | 120 |
| Cutting Your Own Loops | PSBG 05 | 54 |
| Daily Double: Simulate Doubled Parts | Nov 05 | 88 |
| Different Drummer: Reason's BV512 Vocoder and Redrum Modules | Jun 07 | 74 |
| A Disk For The Teacher | Jan 93 | 62 |
| DirectX 8 Steps Up | Apr 01 | 130 |
| Dither And Bits: Proper Bit-Depth Reduction | PSBG 08 | 70 |
| Divide and Conquer: Splitting Your Mix Into Subgroups | Sep 04 | 72 |
| Doing More With GarageBand | Jul 05 | 100 |
| Dream Sequences | Jul 95 | 80 |
| Dr. T's KCS Made Easy | Sep 88 | 32 |
| Duly Noted: Notation Software For Music Publishing | May 08 | 72 |
| Empower Your Virtual Instruments: Running Software Synths and Samples Smoothly | Oct 05 | 90 |
| Enveloping Strategies: DAW Automation Tools For Sound Design | Feb 06 | 82 |
| Experimenting With SoundFonts | Apr 05 | 42 |
| Expert Advice: Hot Tips | Jun 99 | 142 |
| Expert Advice: Software Tips | Sep 98 | 114 |
| Finders Keepers: Sound Organization | Apr 03 | 77 |
| Fractals and Music | Oct 99 | 108 |
| Free Speech: Get Creative With Speech Synths | Jun 08 | 72 |
| Freewheelin' With Freestyle | Apr 96 | 74 |
| Gaining Tracktion: Hidden Features of Mackie's Tracktion | Apr 06 | 35 |
| Game of Chance: Algorithmic Composition | Nov 03 | 53 |
| Get It In Print: Notation | Oct 00 | 50 |
| Get the Most From RealAudio | Jan 00 | 92 |
| Getting Loaded: Sequencer Templates | Dec 02 | 34 |
| Going DAW to DAW: Move Projects Between DAWs Using OMF | Oct 07 | 62 |
| Going Live: Mastering Ableton Live | Dec 02 | 64 |
| Going Postal With Logic Pro 7 | Aug 05 | 90 |
| Going Soft: Add A Synthesizer To Your Computer | Jul 00 | 54 |
| Going With the Grain: Ten Granular Synthesis Programs | Oct 08 | 50 |
| Good Migrations: Movie Files Between Software Platforms | Feb 08 | 68 |
| Guitar Processors In Disguise: Guitar Effects With Software Instruments | Jun 05 | 86 |
| Here's That Grainy Day: Using Albeton Sampler For Granular Synthesis | Feb 07 | 74 |
| High Powered Performer: Digital Performer 3 | Sep 02 | |
| The Hitchhiker's Guide to Plug-ins | Jul 95 | 60 |
| Imaginative Processing: Multimono Surround Plugins | Dec 07 | 70 |
| Impulse Decisions: Using Albeton Live's Impulse With Sliced Loops | Jul 07 | 64 |
| Interactivity In Action: Understanding M | Apr 89 | 28 |
| In the Director's Chair: Macromedia's Director | Dec 97 | 76 |
| In the Public Eye: Free Atari Software | Oct 89 | 28 |
| Intelligent Harmonization: Scale-Based Backing Vocals With Melodyne | Mar 08 | 62 |
| Is It Real or Is It Emulated?: Software Synths | Jun 03 | 35 |
| It's a Cakewalk: Sonar Tips | Oct 06 | 78 |
| Java Jive | Nov 00 | 45 |
| The Joy of SX: Cubase SX 2.0 | Aug 04 | 28 |
| Life's a Batch: Sound Conversion Software | Dec 99 | 70 |
| Live 5 Warping Clinic | CMPG 06 | 16 |
| Loop-a-palooza: Loop-Based Software | Jun 02 | 50 |
| Loop Microsurgery | May 05 | 86 |
| The Lost World Rediscovered: Eight Virtual Synths | Jun 05 | 54 |
| Machine Tools: Customizing SFX Machine Pro Presets | Apr 07 | 66 |
| Making Connections With ReWire | Jan 06 | 37 |
| Making The Cut: Advanced Editing Tips | Jun 04 | 44 |
| Mastering Meta Synth | Feb 01 | 117 |
| Mastering Retro and Unity | Jul 01 | 81 |
| Mastering Waves: Waves Platinum Native Bundle | Jul 04 | 58 |
| Mastering With Peak Performance: BIAS Peak Pro 6 | Sep 08 | 49 |
| The Max Factor: Programming a Software Enhanced PCM42 Digital Delay using Max | Jun 02 | 67 |
| Mixing Efficiency: Pro Tools Creative Potential | Aug 07 | 51 |
| Modern Manuscripts - Guide To Notation Software | Aug 93 | 30 |
| Monster Patch: Bigger Synth Sounds By Stacking Waveforms | Nov 07 | 56 |
| Morphology: Oscillator Morphing | Oct 07 | 66 |
| Musical Protocols | Dec 01 | 86 |
| Musical Windows: Windows Sequencer Face-off | Sep 95 | 42 |
| Music Education Software | Sep 90 | 54 |
| Musician's Apprentice | Jan 93 | 39 |
| My MIDI Doesn't Work! | Jun 90 | 76 |
| Name That Patch: Create Your Own MIDI Patch Lists With CherryPicker | May 07 | 72 |
| Noise Busters: Artifact Removal | Jul 03 | 44 |
| Noises Off: Tips For Audio Restoration Software | Aug 08 | 50 |
| No Money Down: Free Software | DMPG 02 | 54 |
| Normalizing in Sound Forge 8 | CMPG 06 | 48 |
| Noteworthy Deals: Guide To Entry-Level Notation Software | Dec 97 | 36 |
| Not quite Random Notes: Ableton Live's Follow Actions Feature | Feb 06 | 78 |
| Off The Beaten Path: Tempo Maps in MOTU's Digital Performer 4.5 | Feb 05 | 82 |
| One For the Rhodes: Add Synth Processing to Modeled Instruments | Aug 08 | 62 |
| Organize On the Fly: Playlists For Easy Comping | Jun 05 | 82 |
| OS X - Tracking the Big Cats: Optimizing Jaguar and Panther | Sep 04 | 30 |
| Passing the Audition: Cool Edit Pro Tips | Sep 03 | 65 |
| A Piece of Cake: Cakewalk Pro Audio Tutorial | Apr 97 | 27 |
| Pitch Doctor: Modify Melodies With Digital Performer | Sep 08 | 54 |
| Play Hard: Toy Music Software | DMPG 02 | 82 |
| Playing In The Cracks: Alternate Tunings With Software Synths | Jun 03 | 86 |
| Playing With Pd: Real-time MIDI Processors and Soft Synths For Free | Apr 04 | 76 |
| Plugging Into AudioSuite | Apr 97 | 86 |
| Plugging Into EQ: Seven EQ Plug-Ins | Oct 03 | 47 |
| Pluggin' In To Windows: Plug-ins for Windows Musicians | Apr 03 | 86 |
| Plug In to Creativity | Jan 00 | 66 |
| Plug In, Turn On, Space Out: Reverb Plug-ins | May 98 | 65 |
| Powerhouse Samplers: Eleven Software Instruments | Jun 07 | 41 |
| Power Windows: Windows Media Encoder | Feb 02 | 124 |
| The Power Within: Sequencer Mixing | Jan 05 | 26 |
| Programming For The Rest Of Us | Jul 90 | 42 |
| Pro Tips For Pro Tools LE | Apr 05 | 60 |
| Pro Tools Editing Essentials | CMPG 06 | 24 |
| Pushing the Envelope: Absynth Breakpoint Envelopes | Jan 06 | 88 |
| Quicktime Closeup | Oct 98 | 74 |
| Rack'Em Up: Live's Drum Racks | May 08 | 39 |
| Razor's Edge: Sound Editing with Software | May 99 | 51 |
| Read the Script: Saving Time When Performing Repetitive Tasks | Feb 08 | 74 |
| Ready, Willing, and Label: CD Label Makers | Dec 99 | 80 |
| Reasonable Advice: Tips And Tricks For Reason | Jul 03 | 35 |
| ReWired for Effects: Get Your Project's DSP From Another Program | Jun 06 | 7 |
| Rigged Up: Use Your Guitar Rig 2 Plug-ins On Any Track | Jan 07 | 76 |
| The Right Choice: Selecting Objects in MOTU Digital Performer | Jan 08 | 70 |
| The Rite of Strings: Program Soft Synths For MIDI Guitar And Vice Versa | Jan 07 | 67 |
| Say It With Pictures: Convert Images to Music | Sep 08 | 30 |
| Score With QuickTime 4 | Jan 01 | 47 |
| Scoring on the Web | Jul 99 | 102 |
| Scripting in Kontakt 3 | Feb 08 | 42 |
| Secret Encoder Ring: 5.1 Encoding | Oct 01 | 35 |
| Secrets Of The Steinberg Jones Pro-24 III Sequencer | Jun 89 | 74 |
| Shell Game: Making VST Instruments Run Properly in Digital Performer | Aug 02 | 78 |
| Shortcuts to Success: Macro Recording Utilities | Jul 01 | 38 |
| Six Power Sequencers For The IBM | Jan 89 | 57 |
| A Slice In Time: ReCycle-Style Loop Slicing in Live 6 | Jul 07 | 60 |
| Slice, Move, and Glue: How To Align to MIDI In Apple Logic Pro | Apr 07 | 62 |
| Smooth Operators: Mastering FM7 | Jun 03 | 75 |
| Soft Sampling | Oct 01 | 47 |
| Soft Touch: Software Instruments | Sep 03 | 76 |
| Software Design Process | Apr 92 | 72 |
| Software Eighty-Eights: Six Virtual Pianos | Oct 06 | 49 |
| Software Synths on Parade | April 98 | 68 |
| Sound In Motion: Advanced Automation Techniques in FL Studio | Nov 07 | 52 |
| Sounds From Another Planet: Planet CCRMA (Linux) | Jan 04 | 70 |
| Sounds in Motion: Animate Your Vector Synth | Mar 07 | 70 |
| Speak To Me: FL Studio's Speech Synthesizer | Aug 07 | 64 |
| Stack In The Box: Amp Modeling Plugins | Feb 05 | 51 |
| Stealth MP3s: Disguising MP3s as WAV with WaveMP3 | Dec 02 | 86 |
| Stealth MP3s: Disguising MP3s as WAV with WaveMP3 | CMPG 04 | 24 |
| Steal the Thunder: Using Thor's Filters In Reason 4 | Jan 08 | 74 |
| Sweet Fruit, Strange Fruit: Fruityloops 3.5 | Mar 03 | 69 |
| Taming The Wild Algorithm | Feb 89 | 86 |
| Think Different: The Logic Behind Apple Logic Pro | Jun 07 | 31 |
| Too Much Good Stuff: Shareware and Freeware Tools | Aug 03 | 41 |
| To the REXcue: Creating Processing in Reason | May 08 | 70 |
| Trading Spaces: 13 Convolution Programs | Oct 04 | 37 |
| Train REX: Quantizing MIDI Tracks to REX Files in Cubase 4 | Mar 07 | 66 |
| Tricks For Tracks: Editing Features of MIDI Sequencers | Mar 04 | 86 |
| Tuning Up Windows for Audio | Mar 98 | 84 |
| Turbosynth Tips | Aug 89 | 23 |
| Twelve Under a Hundred: Virtual Instruments | Mar 07 | 40 |
| The Ultimate Sample Organizer | Feb 89 | 50 |
| Universal Editor Librarians | Apr 93 | 73 |
| Using Dr. T's Programmable Variations Generator | Aug 89 | 29 |
| Virtual Bandmates: Auto-Accompaniment | Feb 02 | 82 |
| Virtual Cables: Connecting Programs Using Software | Apr 02 | 86 |
| Virtual Orchestra Virtuosity: Four Top Libraries In A Real-World Situation | Jun 08 | 62 |
| Virtual Workstations | Mar 03 | 46 |
| Viva Vegas Video | Nov 02 | 66 |
| Warped Reality: Software Plug-ins | Dec 98 | 66 |
| What's Cooking at IRCAM?: Hot New Software | Sep 98 | 90 |
| What's the Score: Leading Music Notation Programs | Nov 06 | 63 |
| Windows 95 Preview | Aug 95 | 62 |
| Windows Media Audio | Oct 00 | 110 |
| Windows Washing | Mar 02 | 90 |
| A Workshop in the Garage: Great Results With GarageBand 3 | Aug 06 | 35 |
| XP and Audio: Windows XP | Nov 03 | 66 |
This document and its contents is copyright young monkey.
It may not be distributed or reproduced in any form without written permission.