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Electronic Musician - Articles
Jun 88 - Current
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Contents

Signal ProcessingIssuePage
The 5.1 Mix: Getting Creative With Surround SoundDec 0766
After a Brief Delay: Enhance Your Tracks With Pre and Post Delay EffectsSep 0676
All in a DitherJun 0876
Ambience Clinic: Reverb and Delay EffectsDec 04
Amped Up: Add Sparkle To Your Tracks With An Amp SimulatorMay 0776
Analog Gear in a Digital World: Old Hardware to Add Warmth to Digital MixesSep 0596
The Art of Dynamic Range: Adjusting Dynamics During MasteringPSBG 0718
Audio Alchemy: Use Convolution to Transform Sound FilesApr 0838
Better Late Than Never: Understanding Delay EffectsSep 05102
The Big Squeeze: Guide to Compression and CompressorsFeb 0170
Better Tone Through ReampingOct 0829
Bouncing Off Walls: Mysteries Of ReverbMar 0298
Classical Vocal EnhancementsNov 97112
Clean Up Your Act: Learn to Nix the Noise From Your Digital RecordingsAug 9927
Conquerng Peaks: Essential Dynamics Proccessing ApplicationsDec 9832
Convolution Number Nine: DSP TechniquesJun 99118
Cramped Quarters: Audio-Data CompressionApr 0258
The Cumultive Effect: EQing Multiple TracksPSBG 0836
Delayed GratificationSep 94102
Digital Heights: Adding Noise To Digital AudioDec 96105
Direct Action: Eight Tube Direct-Injection BoxesNov 0143
Do-It-Yourself MasteringFeb 0743
Dolby SurroundApr 9498
Dynamic Duos, Part 1: Compressors and LimitersDec 9490
Dynamic Duos, Part 2: Expanders and VCAsJan 95103
Effects: The Essential Musical SpiceAug 9162
Enhancing The Spectrum: Spectral EnhancersNov 96110
EQ ExplainedApr 9594
EQing DrumsPSBG 0578
Equal Time: Tried and True EQ TechniquesOct 9958
EQ WorkshopOct 93105
Extreme Resonance: Turn Bland Synth Patches Into Wailing MonstersAug 0676
Faking ItMay 9594
Frequency Shifting Tips For DrumsFeb 0586
Fun With Formants: Format Filters Do More Than Imitate Vocal SoundsJun 0682
Get The Most From Gates And ExpandersPSBG 0520
Going Direct: Direct BoxesNov 0196
Going Direct: Direct BoxesJul 97122
Golden Gates: Creative GatingJan 0780
Guerrilla Tuning Tactics: Extreme Pitch ProcessingJul 0874
Guide To Digital Effects ProcessingOct 9139
Guide To Floor Pedal EffectsApr 9248
The Guitar UnboundFeb 9230
In The Hall Of The Reverb KingAug 9486
Hot Stuff: Tube Mic PreampsFeb 9672
Hum Be Gone: Removing Hum From a RecordingPSBG 08134
Just Passing Through: Synthesizer FiltersFeb 0588
Keeping It Dynamic: Improve Recordings Without Over CompressingJul 0837
The Last Noise Reduction Article - Part IOct 9150
The Last Noise Reduction Article - Part IINov 9146
Learning The Lexicon: Secrets of the MPX100/500Aug 0188
Let's Split: Split-Band CompressorsJan 0425
Look Who's Talking: VocodersJun 0394
Loud and Clear: Beginners Guide to Vocal ProcessingNov 0758
Mastering Continuity: Assembling a CompilationOct 9978
The Matrix: Using Modulation To Enliven Your Synth SoundsJun 0684
Maximum CmpressionDec 9386
Mixing With DelayJul 9388
Mixing With Pitch ShiftersJun 9391
Mixing With ReverbMay 9392
The Mod SquadNov 94108
Multi-Effects 101: An Introduction to the Multi-Effects ProcessorJun 00102
Multi-Effects 102: Continuing Education in Multi-Effects ProcessingJul 00116
Multi-Tasking Marvels: Multi Effects ProcessorsMay 9678
A New Look at Vocoding: Vocoding a Signal With ItselfMay 0682
Notcher Daddy's Flanger: Moving Notch FiltersSep 0778
Off The Wall: Reverb For More Than Emulating Natural SpaceAug 0594
On the Bus: Parallel and Serial Effects ProcessingMar 0864
Parallel Paths: Parallel-Process Your Multiple Reverb TracksSep 05100
The Path of Least Resistance: Guide to Voice ProcessorsSep 9944
Pitch Fixers: Keep Singers in TuneOct 0731
Processing the Kit: Effects Tips For Drum TracksPSBG 0650
Process This!Aug 9849
Processing Your Way To Great VocalsMar 8922
Programmable Crunch: A Survey Of Guitar EffectsOct 8936
The Proper Ambience: Creative Reverb ProgrammingNov 9354
Reaching For the Stars: CompressorsAug 9758
Ready, Set, Compress!May 9796
Resonant Filter Sweeps Reborn: Phasing and PanningOct 0594
Retro ActiveJun 9536
The Sculptor's Tool: Using EQ To Shape MusicDec 0772
Shift HappensOct 9488
Shifting PerspectivesJan 9252
Shifting Timbres: How to Turn the Chipmunk Effect to Your AdvantageOct 0682
Signal Processing - Part 1: An Ear For ProcessingJul 9066
Signal Processing - Part 2: Real Time MIDI ControlAug 9070
Signal Processing - Part 3: Dimensions Of DelaySep 9054
Signal Processing - Part 4: Fun With FiltersOct 9050
Signal Processing - Part 5: Amplitude ModulationNov 9056
Signal Processing - Part 6: Frontiers Of DSPDec 9055
Silencing SibilanceApr 0030
Snap, Crackle, Pop: Audio RestorationAug 0864
Solving The Mysteries Of ReverbJun 9180
Some Like It Hot: The Most Gain With the Least PainJun 0588
Sonic Tonic: 49 Hot Signal Processing TipsMar 8928
Sounds in Motion: Create Morphing Mayhem With Multiple FiltersNov 0678
Space: The Final Frontier - 3D Audio ProcessorsOct 95116
Spectral EnhancersMay 9369
Spectrum Sculpting: FiltersDec 98120
Squeeze Boxes: Three Tube CompressorsJul 9631
Squeeze With Ease: Get More From Your Compressor By Knowing Its ParametersPSBG 078
Staying Out Of The Red: Gain StructureSep 0136
A Stitch In Time: Manipulating Time and PitchMar 0582
Stomp Box Strategies: Reexamining Vintage Analog EffectsJan 0084
Stop That Racket: Noise ReductionNov 9594
The Sum of All Tracks: Summing Digital Tracks With Analog HardwareFeb 0657
Twang, Plunk, Boing: Liven Up Your Percussion TracksMar 0578
Twelve Ways To Use Dynamics ProcessorsMar 9166
Understanding Dynamics ProcessorsMar 9156
Using Expanders and GatesFeb 98138
Vocal-Effects Tricks: Enhancing Vocal TracksPSBG 0751
What's In A Word: Bits and BytesMay 0588
The Winning Pitch: Intelligent Pitch CorrectionMay 0472
Working On The Sidechain Gang: Unsung FeaturesJul 96114
Xtreme Processing: Plug-Ins in SeriesApr 0680

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