| Signal Processing | Issue | Page |
| The 5.1 Mix: Getting Creative With Surround Sound | Dec 07 | 66 |
| After a Brief Delay: Enhance Your Tracks With Pre and Post Delay Effects | Sep 06 | 76 |
| All in a Dither | Jun 08 | 76 |
| Ambience Clinic: Reverb and Delay Effects | Dec 04 | |
| Amped Up: Add Sparkle To Your Tracks With An Amp Simulator | May 07 | 76 |
| Analog Gear in a Digital World: Old Hardware to Add Warmth to Digital Mixes | Sep 05 | 96 |
| The Art of Dynamic Range: Adjusting Dynamics During Mastering | PSBG 07 | 18 |
| Audio Alchemy: Use Convolution to Transform Sound Files | Apr 08 | 38 |
| Better Late Than Never: Understanding Delay Effects | Sep 05 | 102 |
| The Big Squeeze: Guide to Compression and Compressors | Feb 01 | 70 |
| Better Tone Through Reamping | Oct 08 | 29 |
| Bouncing Off Walls: Mysteries Of Reverb | Mar 02 | 98 |
| Classical Vocal Enhancements | Nov 97 | 112 |
| Clean Up Your Act: Learn to Nix the Noise From Your Digital Recordings | Aug 99 | 27 |
| Conquerng Peaks: Essential Dynamics Proccessing Applications | Dec 98 | 32 |
| Convolution Number Nine: DSP Techniques | Jun 99 | 118 |
| Cramped Quarters: Audio-Data Compression | Apr 02 | 58 |
| The Cumultive Effect: EQing Multiple Tracks | PSBG 08 | 36 |
| Delayed Gratification | Sep 94 | 102 |
| Digital Heights: Adding Noise To Digital Audio | Dec 96 | 105 |
| Direct Action: Eight Tube Direct-Injection Boxes | Nov 01 | 43 |
| Do-It-Yourself Mastering | Feb 07 | 43 |
| Dolby Surround | Apr 94 | 98 |
| Dynamic Duos, Part 1: Compressors and Limiters | Dec 94 | 90 |
| Dynamic Duos, Part 2: Expanders and VCAs | Jan 95 | 103 |
| Effects: The Essential Musical Spice | Aug 91 | 62 |
| Enhancing The Spectrum: Spectral Enhancers | Nov 96 | 110 |
| EQ Explained | Apr 95 | 94 |
| EQing Drums | PSBG 05 | 78 |
| Equal Time: Tried and True EQ Techniques | Oct 99 | 58 |
| EQ Workshop | Oct 93 | 105 |
| Extreme Resonance: Turn Bland Synth Patches Into Wailing Monsters | Aug 06 | 76 |
| Faking It | May 95 | 94 |
| Frequency Shifting Tips For Drums | Feb 05 | 86 |
| Fun With Formants: Format Filters Do More Than Imitate Vocal Sounds | Jun 06 | 82 |
| Get The Most From Gates And Expanders | PSBG 05 | 20 |
| Going Direct: Direct Boxes | Nov 01 | 96 |
| Going Direct: Direct Boxes | Jul 97 | 122 |
| Golden Gates: Creative Gating | Jan 07 | 80 |
| Guerrilla Tuning Tactics: Extreme Pitch Processing | Jul 08 | 74 |
| Guide To Digital Effects Processing | Oct 91 | 39 |
| Guide To Floor Pedal Effects | Apr 92 | 48 |
| The Guitar Unbound | Feb 92 | 30 |
| In The Hall Of The Reverb King | Aug 94 | 86 |
| Hot Stuff: Tube Mic Preamps | Feb 96 | 72 |
| Hum Be Gone: Removing Hum From a Recording | PSBG 08 | 134 |
| Just Passing Through: Synthesizer Filters | Feb 05 | 88 |
| Keeping It Dynamic: Improve Recordings Without Over Compressing | Jul 08 | 37 |
| The Last Noise Reduction Article - Part I | Oct 91 | 50 |
| The Last Noise Reduction Article - Part II | Nov 91 | 46 |
| Learning The Lexicon: Secrets of the MPX100/500 | Aug 01 | 88 |
| Let's Split: Split-Band Compressors | Jan 04 | 25 |
| Look Who's Talking: Vocoders | Jun 03 | 94 |
| Loud and Clear: Beginners Guide to Vocal Processing | Nov 07 | 58 |
| Mastering Continuity: Assembling a Compilation | Oct 99 | 78 |
| The Matrix: Using Modulation To Enliven Your Synth Sounds | Jun 06 | 84 |
| Maximum Cmpression | Dec 93 | 86 |
| Mixing With Delay | Jul 93 | 88 |
| Mixing With Pitch Shifters | Jun 93 | 91 |
| Mixing With Reverb | May 93 | 92 |
| The Mod Squad | Nov 94 | 108 |
| Multi-Effects 101: An Introduction to the Multi-Effects Processor | Jun 00 | 102 |
| Multi-Effects 102: Continuing Education in Multi-Effects Processing | Jul 00 | 116 |
| Multi-Tasking Marvels: Multi Effects Processors | May 96 | 78 |
| A New Look at Vocoding: Vocoding a Signal With Itself | May 06 | 82 |
| Notcher Daddy's Flanger: Moving Notch Filters | Sep 07 | 78 |
| Off The Wall: Reverb For More Than Emulating Natural Space | Aug 05 | 94 |
| On the Bus: Parallel and Serial Effects Processing | Mar 08 | 64 |
| Parallel Paths: Parallel-Process Your Multiple Reverb Tracks | Sep 05 | 100 |
| The Path of Least Resistance: Guide to Voice Processors | Sep 99 | 44 |
| Pitch Fixers: Keep Singers in Tune | Oct 07 | 31 |
| Processing the Kit: Effects Tips For Drum Tracks | PSBG 06 | 50 |
| Process This! | Aug 98 | 49 |
| Processing Your Way To Great Vocals | Mar 89 | 22 |
| Programmable Crunch: A Survey Of Guitar Effects | Oct 89 | 36 |
| The Proper Ambience: Creative Reverb Programming | Nov 93 | 54 |
| Reaching For the Stars: Compressors | Aug 97 | 58 |
| Ready, Set, Compress! | May 97 | 96 |
| Resonant Filter Sweeps Reborn: Phasing and Panning | Oct 05 | 94 |
| Retro Active | Jun 95 | 36 |
| The Sculptor's Tool: Using EQ To Shape Music | Dec 07 | 72 |
| Shift Happens | Oct 94 | 88 |
| Shifting Perspectives | Jan 92 | 52 |
| Shifting Timbres: How to Turn the Chipmunk Effect to Your Advantage | Oct 06 | 82 |
| Signal Processing - Part 1: An Ear For Processing | Jul 90 | 66 |
| Signal Processing - Part 2: Real Time MIDI Control | Aug 90 | 70 |
| Signal Processing - Part 3: Dimensions Of Delay | Sep 90 | 54 |
| Signal Processing - Part 4: Fun With Filters | Oct 90 | 50 |
| Signal Processing - Part 5: Amplitude Modulation | Nov 90 | 56 |
| Signal Processing - Part 6: Frontiers Of DSP | Dec 90 | 55 |
| Silencing Sibilance | Apr 00 | 30 |
| Snap, Crackle, Pop: Audio Restoration | Aug 08 | 64 |
| Solving The Mysteries Of Reverb | Jun 91 | 80 |
| Some Like It Hot: The Most Gain With the Least Pain | Jun 05 | 88 |
| Sonic Tonic: 49 Hot Signal Processing Tips | Mar 89 | 28 |
| Sounds in Motion: Create Morphing Mayhem With Multiple Filters | Nov 06 | 78 |
| Space: The Final Frontier - 3D Audio Processors | Oct 95 | 116 |
| Spectral Enhancers | May 93 | 69 |
| Spectrum Sculpting: Filters | Dec 98 | 120 |
| Squeeze Boxes: Three Tube Compressors | Jul 96 | 31 |
| Squeeze With Ease: Get More From Your Compressor By Knowing Its Parameters | PSBG 07 | 8 |
| Staying Out Of The Red: Gain Structure | Sep 01 | 36 |
| A Stitch In Time: Manipulating Time and Pitch | Mar 05 | 82 |
| Stomp Box Strategies: Reexamining Vintage Analog Effects | Jan 00 | 84 |
| Stop That Racket: Noise Reduction | Nov 95 | 94 |
| The Sum of All Tracks: Summing Digital Tracks With Analog Hardware | Feb 06 | 57 |
| Twang, Plunk, Boing: Liven Up Your Percussion Tracks | Mar 05 | 78 |
| Twelve Ways To Use Dynamics Processors | Mar 91 | 66 |
| Understanding Dynamics Processors | Mar 91 | 56 |
| Using Expanders and Gates | Feb 98 | 138 |
| Vocal-Effects Tricks: Enhancing Vocal Tracks | PSBG 07 | 51 |
| What's In A Word: Bits and Bytes | May 05 | 88 |
| The Winning Pitch: Intelligent Pitch Correction | May 04 | 72 |
| Working On The Sidechain Gang: Unsung Features | Jul 96 | 114 |
| Xtreme Processing: Plug-Ins in Series | Apr 06 | 80 |