Electronic Musician - Articles Jun 88 - Current
	Reviews Contents Business Computers Do-It-Yourself Education Film / Video / Exhibit Home Studio MIDI MIDI Controllers Mixers Multi-Media People Percussion Performing Programming Recording Sampling Sequencing Signal Processing Software Song Writing Sound Synthesizers Technology Other Recording Issue Page ABCs Of Digital Tape Jun 94 25 The ABCs Of Recording Jun 97 110 Accommodating the Muse: Recording Acoustic Guitar and Vocals Simultaneously Aug 99 90 Acoustic Alchemy Feb 95 129 Acoustic Guitar EQ Apr 97 104 Acoustic Instrument Miking Tips PSBG 05 50 Acting on Impulse: The Nuts and Bolts of Recording Impulse Responses Jun 06 35 ADAT Maintenance Oct 97 112 All Together Now: Recording Ensembles Jun 98 54 All the World's a Stage: Miking World Percussion On Stage Nov 99 76 Amp-Miking Techniques For Electric Guitar PSBG 06 24 Attack of the Cardioids: Eight Studio Condenser Mics Sep 98 44 Avoiding Phase Cancellation Jul 97 112 The Big Bang: Recording Drums PSBG 05 12 Big Guitars in Small Spaces Jan 06 75 The Bottom Line: Recording Bass Guitar Aug 00 36 Brass Tactics: Recording Brass Sounds Nov 04 74 Brave New World - Digital Recording Oct 93 54 Bridging The Gap: Upgrading To 96KHz Digital Audio Nov 02 38 Bring'Em Back Alive: Recording Live Performances Onstage or in the Studio Jan 07 33 Budget Mics, Big Sound: Four Large-Diaphragm Condensers May 08 47 Build A Microphone Cabinet On Any Budget Sep 00 54 Burn Baby Burn - CD Recorder Jun 96 46 A Buyer's Guide To DAT Recorders May 89 56 Captured In Concert: Recoring Live Performances Jan 04 80 Capturing Big Sounds: Large-Diaphragm Dynamic Mics Nov 07 30 Capturing the Classics May 97 56 Capturing the Kit: Drumn Recording Jul 04 36 Capturing the Voice: Better Vocal Recording PSBG 08 82 Capturing the Wild Piano Mar 00 92 Caught in the Act: Live Recording May 00 52 Causing Effects: 12 Quick Recipes For Head-Spinning Sound CMPG 03 36 Causing Effects: 12 Quick Recipes For Head-Spinning Sound DMPG 02 68 Classic Recording Jan 94 90 Composite Vocals Apr 94 82 Creative Drum EQ Aug 97 98 Data Compressons And The New Audio Formats Sep 91 26 DAT Mastering At Home Oct 94 106 DI Bass: Recording Direct PSBG 06 26 Digital AudioTape: What You Need To Know Apr 89 34 The Digital Debate Aug 93 62 The Digital Domain Aug 93 92 Digital Fluency Jun 92 78 The Direct Connection: Six USB Microphones Apr 07 36 Direct Results: Recording Guitar Tones Without Miking a Cabinet Dec 06 31 Double Your Pleasure: Stereo Recording Jun 00 31 Dream Dates: Digital Audio Recorders Apr 97 40 The Earl of Whirl: Capturing Leslie Speaker Cabinets Mar 01 124 The Fab Five: Digital Audio Sequencers Mar 97 42 An Economy Of Scales: Diaphragm Condenser Mics Dec 96 37 Electrical Engineering: Steve Albini's No-Nonsense Approach to Recording Oct 08 41 Extreme Recording Feats Oct 97 31 Fear of Stereo Dec 94 105 Field Of Dreams: Buying A Hard-Disk Recorder Oct 02 50 Finding the Sweet Spot: Mic Positioning Oct 04 84 Format Wars: Multitrack Cassette Recorders Oct 96 20 Front and Center: Mid-Side Recording and Processing Mar 06 42 The Future Of Analog May 92 38 Gearing Up For Critical Vocals Nov 98 88 Gear To Go: Location Sound Gear Reviews Nov 97 48 Get Your Kicks: Recording Bass Drums Jul 02 130 Glorious Acoustic Guitars Feb 97 118 Going Wild: Experiencing the Wonders of Nature Apr 03 50 Guide To DAT Recorders Jun 91 68 Guide To Microphones Dec 91 30 Guide To Multi-Track Cassette MiniStudios May 91 51 Guitar Effects and Recording PSBG 05 60 Guitar Greatness: Capturing Great Guitar Tones PSBG 08 8 Hand In Hand: A-DAT Add-ons Nov 94 98 Hard Copy Nov 95 82 Hard Disk Recording Dec 91 79 Hard-Disk Recording Apr 97 112 Hella a Cappella: Capture Evocative Music Portraits of Vocal Groups Sep 99 100 High-Output-Tape And dbx Feb 94 102 Honk if You Love Horns: Tips For Recording Saxes, Trumpets, and Trombones Jan 00 100 A House Divided: Recording in Every Room of the House Feb 97 32 How To Catch String Fever: Mic Placement Aug 94 98 Immaculate Audio: Digital Recording Nov 97 63 The Incredible Shrinking Studio: Portable Digital Studios Jul 01 54 In Good Voice Feb 92 93 Intimate References - Guide To Headphones Feb 92 54 An Introduction To Hard Disk Recording And Editing Oct 90 30 In Your Face: Studio Condenser Mics May 94 39 Is the SM58 Still King?: Seven Low Priced Dynamic Mics Jun 98 34 Jazzin' It Up: Recording Jaz Jan 96 64 Joining the Reel World: Buying a Used Analog Tape Recorder Mar 07 31 Keeper Vocal Tracks Jan 99 98 Keeping It Real: Creating Natural Effects Feb 03 118 Kickin' It: Seven Bass-drum Microphones Feb 99 33 Know Your Mic Types PSBG 08 60 Life In The Slow Lane: Hardware/Software Time-Compression Recorders Oct 99 44 Lip Service: Recording Vocals Oct 95 83 The Little Demo That Could Jan 97 62 Location Recording Aug 92 62 Low Volume, Fat Tone: Record Tube-Amp Sounds Dec 03 66 Mad For the Mini: MiniDisc Recorders Jul 97 49 The Magnificent Seven: 8 Track HD Recorders Nov 96 52 Making Tracks: Six PC Audio Editors Apr 00 40 Mastering On A Budget Oct 98 48 Mastering The MIDI Studios May 91 44 Mastering Vinyl Mar 08 55 Masters From MiniStudios Jun 94 38 Maximum Conversion: A/D Converter Calibration Mar 03 80 Merrily We Analog: Analog Tape Decks Feb 98 148 Microphone Machinations Dec 01 96 Microphone Machinations May 95 66 Microphones Made Easy Nov 91 67 Microphone Setup Tips: Miking in the Studio PSBG 07 85 Microphone Technique Mar 90 50 Mics in the Mix: Beginner's Guide to Microphones Aug 00 112 Mics of Many Colors: Seven Larg-Diaphragm Multipattern Condensers May 06 50 Mic Specs Demystified: What the Numbers and Tech Jargon Mean Feb 07 76 Mic Specs Demystified PSBG 06 78 Mighty Mics Apr 95 43 The Mini Mic Cabinet Apr 96 88 Minimum Rig, Maximum Sound: Capture Stereo Recordings With A Low-Cost, Compact Setup Jun 99 126 The Mirace of Digital Tape Mar 98 102 Mixing: Essentials Of The Craft Jul 89 50 Modular Digital Madness: 5 Recorders May 96 44 More Than The Sum: Stereo Microphones Jun 03 44 Moving On Up Aug 95 94 Multi-Track Magic For The Budget Studio Jan 89 34 Multitrack Recording Oct 92 78 Multitrack Recording Jan 91 44 Musical Notebooks - Guide To Cassette Studios Jun 93 33 Naughty Bits Nov 93 65 Off-Kilter Vocals Oct 01 110 One Room Recording Feb 96 114 On The Right Track: Four Digital Multitrack Formats Jan 00 46 Overdubbing Jun 93 72 Personal CD Recorders Oct 92 30 Ping-Pong Wizardry: Bouncing DAT to DAT Sep 96 26 Planning Your Session Setup PSBG 05 48 Playing the Field: Guide To Location Recording Nov 97 36 Palying the Field: 6 Taples Field Recorders Oct 05 54 Putting A Sparkle On Analog Sep 93 85 A Quick Take on Condensers Mar 96 92 Quiet Storms: Recording Guitars Nov 97 28 Random Access: Hard Disk Recording Jan 94 66 Recording A Cappella Groups Jun 94 90 Recording Dialog For The Digital Arts Mar 04 36 Recording the Drums of Salvador Jul 05 87 Recording Electric Guitar Oct 99 114 Recording the Flat Top: Miking Techniques For Acoustic Guitar PSBG 06 72 Recording Live On Location Apr 91 46 Recording On A Dime: Making Albums Fast and Cheap Oct 03 70 Recording Outside The Box: Great Acoustic-Guitar Sound Mar 04 78 Recording Resonator Guitars Feb 99 120 Recording the Spoken Word: Producing Voice-Overs Feb 07 33 Recording Spoken Word Oct 96 122 Recording Upright Bass Dec 97 66 Ribbon Mic Summit: Ten Top Engineers Favorite Techniques Aug 06 45 Ribbon Revival: Ribbon Mics Nov 05 48 Rolling Thunder: Nailing a Bass Sound That Rocks Jun 98 121 Scraping It Together: Recording String Ensembles and Exotic Bowed Instruments Feb 01 160 Secrets of the Virtual Studio: Roland VS-880 Feb 98 85 Sequencing Games: Modern Digital Audio Sequencers Jul 99 35 Seven Studios of Gold: Portable Digital Studios May 99 33 Side Order: Mid-Side Matrix Oct 08 64 Six-String Strategies: Four Top Engineers Pursue Perfect Acoustic Guitar Recordings Dec 06 42 Smokin' Condensers: Seven Small-Diaphragm Condenser Mics Mar 04 46 Sonic CPR For Drums Jan 96 104 Sounds In The Key Of Life: Foley Effects Sep 01 108 Standing Strong - Microphone Stands Sep 97 112 Staying Alive In The Clubs May 94 102 String Fever: Capturing Dulcet Tones From Strings Sep 00 112 Studio In A Box: Portable Digital Studio Recorders Aug 05 49 Studio In Your Pocket: Stereo Digital Recorders Jun 08 38 Studio Leapfrog April 98 120 Studios To Go: Hard Disk Recorders Nov 01 99 Swabbing The Deck Sep 94 35 Sweet & Low: Recording Electric-Bass Tracks Jun 04 30 Tale Of The Tape Jun 90 42 Taming of the Shrill: Recording Harmonica Jan 02 104 Tape Killers Sep 92 41 Ten Mics I Swear By Apr 99 82 To Tell The Truth: Eight Affordable Small-Diaphragm Condenser Mics Mar 00 44 Tracking Drums Oct 92 85 Tracking Electric Bass Jan 93 72 Tracking In The Unplugged World: Recording Acoustic Ensembles Nov 03 27 Tracking Synths Mar 92 78 Tracking The Bizarre Dec 92 76 Tracking the Elusive Vocal: Recording Lead Singers Apr 04 62 Tube Mic Tete-a-Tete: Five Tube Condenser Microphones Feb 98 68 Two For One: Stere-Miking Techniques PSBG 07 20 Unplugged And Dangerous: Acoustic Recording Dec 95 102 Using Hard Disk Recording In The Studio Oct 90 70 Vive la Difference: Dynamics, Condensers, and Ribbons Mar 06 70 Vocal Acoustics Feb 93 97 Vocal-Tracking Clinic PSBG 06 16 The Voices Have It: Recording Voice-Overs Dec 02 92 Warming Trends: Take The Chill Off Digital Tracks Jan 00 114 What's Up With Dat? Nov 99 40 What To Look For In A Personal Digital Studio PSBG 05 116 The Whole Enchilada: Recording Latin Percussion Oct 02 88 Without Missing a Beat: Omar Hakim Nov 07 37 You Can Take It With You: Recording On The Road Aug 04 72 This document and its contents is copyright young monkey. It may not be distributed or reproduced in any form without written permission.