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Electronic Musician - Articles
Jun 88 - Current
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Contents

Home StudioIssuePage
Absolutely Sound: Choose A Pair of Close-Field MonitorsApr 0682
The Acoustic Home StudioFeb 9470
A Place For EverythingDec 9350
Audio Aspirin For Studio Headache #1Jun 8829
Basic Audio Connections: Part 1Oct 9384
Basic Audio Connections: Part 2Nov 9376
Basic Studio - Part 1: Choosing Near-Field MonitorsNov 8946
Basic Studio - Part 2: Power AmplifiersDec 8964
Basic Studio - Part 3: Hunting For HeadphonesJan 9070
Basic Studio - Part 4: MixersFeb 9038
Basic Studio - Part 5: A Microphone PrimerMar 9026
Basic Studio - Part 6: A Power PrimerApr 9054
Basic Studio - Part 7: Studio ErgonomicsMay 9076
Basic Studio - Part 8: Tape RecordersJun 9026
Battling Medusa: Wiring Your StudioJun 0173
Build A Better Bass TrapJan 9546
Build a Desktop Studio on Any BudgetJul 0548
Build a Personal Studio on Any BudgetSep 0741
Build a Personal Studio on Any BudgetJul 0250
Build a Personal Studio on Any BudgetJul 9850
Caveat Connector: Digital Audio ConnectionsNov 96132
Chamber Made: Build a Natural Space For Reverb EffectsOct 0753
Covering All the Angles: Surround Speaker ConfigurationNov 0590
Digital Home StudioOct 9249
Digital Pipelines: ADAT Optical and Tascam TDIFApr 9942
Dream Home StudiosFeb 9338
Garage of Dreams: Tony Shepperd's Ultimate Personal StudioJun 0573
Good Connections: Audio CablesJan 01100
Good References: Selecting Close-Field Reference MonitorsJun 0150
The Great Cable DebateJan 9450
Home Improvement: Personal Studio TipsNov 9336
Home Improvement: Professional Building TipsFeb 9758
Home Studio MaintenaceDec 9231
The House is Rockin': Acoustic Spaces Without Leaving HomeMar 9980
Integrating MIDI and Digital AudioDec 9144
It's Easy Being Green: Make Your Studio Eco-FriendlyMay 0855
The Listening RoomJul 95100
Listening to Monitors: Picking Studio MonitorsApr 0676
Mapping Your Way Through MIDI Multi-TrackingJun 8824
Meter MattersJan 03112
MIDI ProcessingMay 9273
MIDI Systems Great & SmallFeb 9154
Mission Control: Controlling Your MIDI Studio From A Central LocationJun 0046
Monitoring For Success: Productive Listening During MixdownDec 0659
Nearer My Monitor To TheeJun 9558
A New Approach to Personal Studio AcousticsApr 0432
Noise KillersOct 9478
On Solid Ground: Part ISep 9233
On Solid Ground: Part IIOct 9260
Organizing Your StudioMar 9892
Patch-Bay ProfilesJun 96110
Patch Me Through: Audio Patch BaysSep 9586
Phantom PowerJan 00110
Planning Your Ideal Recording SpaceFeb 0440
Power Stations: Foru Active MonitorsOct 9745
Power Tools: Are All Power Amplifiers Created Equal?Oct 9554
Power To The PeopleOct 97124
Production Tips For The Home StudioMay 9130
Proper Monitor PlacementPSBG 04130
The Pro Studio Comes HomeAug 8932
The Route Less Traveled: Digital Audio Patch BaysDec 0087
Silent Partners: Room AcousticsAug 9626
Solo MIDI PerformanceMay 9285
Sound Choices: Six Budget Studio MonitorsMar 0551
Sound JudgmentFeb 0370
Sound SactuaryJun 9159
Special Treatment: Taming Studio AcousticsMay 0539
Starting Over: Redesigning Your StudioJul 0729
Studio in the Round: Multichannel RoomSep 0537
Studio Setup TipsPSBG 0610
Studios Of The (Not Yet) Rich And (Almost) FamousFeb 8968
Studio, Sweet StudioSep 9032
Surviving A MIDI Studio SessionApr 8920
Taming Of The RoomAug 9132
Truth Or Consequencers: Tuning Your Control Room For Flatter Frequency ResponseNov 0162
The Well-Tempered Studio: Improving the SoundFeb 9988
Will the Signal Be Unbroken?: In-line AdaptersMay 9886

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