Keyboard - Articles Aug 80 - Jul 98
	Reviews Contents Business Buyer's Guides Clinic Computers Do-It-Yourself Drum Machines / Percussion Guest Editorial Jazz Keyboards Master Class MIDI Multimedia Organ Patches Piano Plug In Profile Reader Tips Recording Sampling Sequencing Sidebar Song Writing Sound Page Studio Synthesizers Technique Worldview Unsorted Applied Theory Issue Page 197th Chords Jul 89 100 A Gold Mine For Chord Diggers Jun 89 103 A New Way of Looking at the Keyboard Jul 86 30 Add Harmonic Tension with Chromatic Wedges Nov 86 115 Altering Melodic Tones To Fit Altered Chords Jan 87 94 An Old Circle & A New Tree Sep 88 109 Augmented 6th Chords, Part 1 Apr 88 108 Chameleon Chords Jun 88 117 Developing Relative Pitch May 89 93 Diminished 7th Chord Dec 88 109 Direct Key Changes Jan 89 119 Dominant Seventh Cycles: The Secret Formula Mar 87 102 Double and Triple Chromatic Wedges Dec 86 104 Extending Chords Via Major Seventh Intervals Aug 88 110 From Motif to Melody Oct 86 102 Getting the Most From Five Notes Nov 87 112 Instant Harmonization Jan 88 98 Intensifying Harmony By Adding Chromatic Chords Aug 86 98 Interval Recognition Apr 89 98 Making Modes Sound More Modal, Part 1 Jul 90 106 Making Modes Sound More Modal, Part II Aug 90 84 Making Modes Sound More Modal, Part III Sep 90 111 Making Modes Sound More Modal, Part IV Nov 90 96 Making Progressions From Seventh Rotations May 87 96 Managing Melodic Motives Sep 86 110 Modernizing The Horn Fifth Aug 89 104 More Augmented 6th Chords May 88 109 Musical Onomatopoeia Nov 89 96 Non-Traditional Progressions From Traditional Materials Jun 90 81 Pandiatonic Harmony Mar 89 85 Pentatonic Scale: Bridging Musical Styles Around The World Oct 87 107 Quartal Chords Jul 88 122 Reading The Meters May 90 94 Restructuring 13th Chords Dec 87 114 Seventh Chord Rotations: A New Formula For An Old Recipe Apr 87 111 Sound-Sweetening Successions Of Sixths Jun 87 133 Spice Up Your Melodies With Countermelodies Feb 87 112 Strange Scales, Strange Chords Sep 87 125 Substitute Chords Feb 89 103 Tackling The 12-Tone Row Oct 88 115 Tactics For Writing Tunes Dec 89 94 Tactics For Writing Tunes, Part II Jan 90 104 Tactics For Writing Tunes, Part III Feb 90 101 Tactics For Writing Tunes, Part IV Mar 90 110 Tactics For Writing Tunes, Part V Apr 90 115 Tetrachord Applications: Bizarre Scales Aug 87 95 Tetrachords: Traditional & Trendy Jul 87 42 Textures Sep 89 85 Transposition Template Jan 91 111 Turnarounds Mar 88 101 Using 12-Tone Methods In Other Styles Nov 88 126 Walking Bass Lines Feb 88 119 Master Class Issue Page A Lesson From C.P.E. Bach Feb 82 66 Beethoven's Hidden Phrasing Treasures Jun 82 65 Cadences in Late Beethoven Jul 82 63 Chopin Pedalling: The Ballade In Ab, Op. 47 May 81 54 Chopin's Mazurka, Op. 30, No. 2 Jun 84 85 Chopin's Prelude Op. 28 No. 3 Aug 86 92 Chopin's Rhythmic Clues Nov 82 71 Communicating Musically: Motif Recognition Nov 84 84 Communicating Musically: The Romantic Approach Dec 84 79 Cross-Rhythms in the Music of Brahms Sep 82 56 Final Thoughts On Chopin Pedalling Jun 81 68 For Left-Hand Dexterity, Try Bach's Solo Works For Strings Jun 87 132 George Gershwin's Preludes For Piano Jul 87 44 How To Commission A Keyboard Work Jun 88 114 How To Track The Logic In Your Mistakes May 87 101 It's All in the Wrist Nov 81 75 Mozart Variations: A Musical Carnival May 82 53 Pedal Point In Brahms, Part 1 Dec 82 69 Pedal Point In Brahms, Part 2 Jan 83 60 Pedalling Chopin, Part 1 Apr 81 50 Pedalling Hints and Habits Jan 82 66 Pedalling, Part II: Comparing Editions Mar 81 52 Posture, Tension, & Tone Production Jul 84 73 Practicing & Recital Programming Apr 83 64 Practicing Jan 88 106 Reading Between The Staves Apr 88 112 Structure and Interpretation` May 83 62 Technique, Part 1: Finding Your Tone Jul 81 76 Technique, Part 2: Relaxation in Motion Sep 81 52 Technique, Part 3: Avoiding Hand Tension Oct 81 68 Tempo, Pulse, and Continuity Aug 84 76 The Art of Pedaling (Part II) Mar 89 96 The Art Of Pedaling Nov 88 120 The Artist's Life Is Not a Waltz Dec 87 117 The Classical Approach to Mozart Apr 82 62 The Hidden Meters of Bach Aug 82 61 The One-Hour Practice Session Oct 88 109 The Pathetique: Gleaning Phrasing Clues From An Urtext Edition Apr 87 110 The Urtext Edition: For Turning Old Favorites Into New Interpretations Mar 87 104 The Wrist' of the Story Dec 81 65 Thoughts On Pedalling, Part 1 Feb 81 62 Classical' Does Not Mean Dead Nov 87 110 Private Lesson Issue Page 1 is Not Enough Mar 86 29 A Liberal Look at the Right: Enhancing a Melody with Grace Notes and Rhythms Sep 85 28 A Short Trip Beyond the Horizons of 4/4 Time Jul 85 32 Accenting & Accénting on Drum Machines Mar 86 20 The Art of Comping for the Jazz Pianist Feb 86 32 Back to Bass-ics May 86 28 Basic Rock Beats for Drum Machines in 4/4 & 3/4 Jul 85 31 Bebop Etude No. 3 Oct 85 30 Better Backbeats with Drum Machines, Part 1 Aug 85 64 Beyond Polyrhythms: A Chopin Rubato Oct 86 93 Building Fresh Chords & Melodic Lines with Intervallic Thinking Oct 85 32 Catchy Pick-Up Lines Jun 86 34 Chord Voicings for the Jazz Pianist Nov 85 37 Cross-Rhythms from Ancient History to Today Feb 86 39 Debussy's Preludes, Book 1 Apr 86 27 Debussy's Preludes, Book 2 May 86 30 Design of Melody Jun 86 26 Diminished Chords for Modulation & Harmonic Fills Jul 85 34 Drum Pattern Hooks & Backbeats, Part 2 Oct 85 31 Evocative Titles & Performance Directions In Debussy Mar 86 26 Exercises for Smooth Polyrhythms: Three Against Four Jun 86 32 Exploring the Virtuosic Requirements of Debussy's Etudes Jun 86 28 For Smooth Legato Phrasing While Shifting Hands, Try This "Keyboard Etude in Bass Clef" Aug 85 62 Further Adventures with Legato Phrasing in a "Two-Voice Invention" Nov 85 35 Gaining Left-Hand Awareness Sep 86 109 Gesture and Texture on the Keyboard Apr 86 30 Harmonic Daring and Visionary Episodes in Debussy's Piano Music Jan 86 113 Hindemith's Kleine Klaviermusik: Provocative Ideas for the Intermediate Pianist Mar 86 23 How a Pianist Works on Ear-Hand Coordination Jan 86 112 How to Structure a Solo Concert for a Real Performance Oct 86 90 J.S. Bach's Unexpected Sources of Inspiration Nov 85 40 Knowing Your Chords and Making Them Work For You Jun 86 25 Minors are Allowed Nov 85 38 Mixing Ingredients: Backbeats, Hooks & Patterns, Part 3 Nov 85 32 On Prokofiev's "Vision Fugitive XVI" Feb 86 36 On Schumann's "Important Event" from Kinderszenen Apr 86 32 Performance Techniques for Sonata K. 239 by Scarlatti Dec 85 24 Piano Music in the Twentieth Century, Part 1: Paris Nov 85 36 Pink Fire-Eating Dwarves Pursue Drum-Machine-Playing Mermaids Jun 86 30 Playing Solo Piano, Part 2: Finding New Resources in Familiar Material Sep 86 106 Polyrhythmic Skill, Part 1: Two Against Three May 86 27 Polytonal Chords and Pedal Point for the Jazz Pianist Apr 86 24 Remembering Johnny Guarnieri (1917-1985) Sep 85 25 The Sources of Debussy's Inspiration Dec 85 28 Strategies for Hand Independence Mar 86 24 Stride the Halls Dec 85 29 Striking Harmonic Juxtapositions in Debussy's "Reflets dans l'eau" Feb 86 34 Sustain Interest In Your Music Sep 86 117 These Are a Few of My Favorite Things Apr 86 28 To Divide or Not Divide the Odd Meter Dec 85 30 To Sequence or Not to Sequence Jan 86 110 Using "Shadows" for Rhythmic Accuracy During Sustained Notes and Rests Feb 86 30 Waltzes by Franz Schubert Dec 86 108 Rock Technique Issue Page Building Lead Lines Oct 81 70 Chord Patterns Aug 82 63 Chord Voicing & Voice Leading Jun 81 67 Comping - An Attitude Oct 83 74 Creative Chord Substitutions Jun 82 61 Develop Your Creativity Feb 84 75 Doing a Successful Recording Jul 83 68 Fill in the Blanks Dec 82 68 Filling in Behind a Melody Jan 84 70 Finding the Right Keyboard Part Aug 80 52 Getting A Record Contract Nov 81 74 Getting Ready To Do A Recording Jun 84 90 Intros & Endings Feb 81 74 The Invader Sound Sep 82 57 Ivory Expeditions Apr 83 60 The Jacks on the Back Feb 83 65 Modern Chord Voicings May 81 59 Overdubbing A Supporting Part Dec 80 66 Pitch-Bending & Vibrato Oct 82 65 Pitch-Bending Exercises Nov 82 65 Playing Bass Lines on Synthesizers Jan 85 65 Practicing & Fingering Jun 85 79 Practicing for the Fun of It Nov 84 72 Progressions & Lines Oct 80 62 Progressions & Lines, Continued Jan 81 57 Rhythm Comping May 82 55 Scalar & Angular Playing Dec 84 86 Scales & Improvisations Sep 81 53 Scales for Improvisation Oct 84 83 The Secrets of Accompaniment Apr 84 74 Setting Up To Do A Home Demo Jul 84 78 Synthesizer Bass, Part II: Walking Bass May 85 67 Tips For Sitting In Apr 81 53 Tools for Improvisation Aug 81 54 Using Your Keyboard Stack Effectively Feb 82 68 Using Your Stack Effectively, Part II Mar 82 57 Working Effectively in the Studio Dec 81 68 Technical Exercises Issue Page 4/4 Rhythms You Can't March To Feb 87 102 Don't Let Double Notes Give You The Blues Oct 87 106 Exercises For The Jazz Pianist Jan 87 88 Further Challenges For One-Handed Playing Nov 87 118 Hand Stretchers II Jun 87 130 Hand Stretching May 87 98 How To Cultivate An Uneven Touch Apr 87 106 Improvising on Arpeggios Aug 87 92 Learning From The Kangaroo Sep 88 104 Lizards & Arpeggios Jul 87 41 Playing Fourths Aug 89 99 Playing Twister At The Keyboard May 88 106 Rhythms Mozart Never Thought Of Mar 87 99 Technique and the Synthesizer, Part 1 Dec 87 110 Three, Four, Five Mar 89 93 Tremolos and the Rocking Hand May 89 96 Voicing Workshop: Building Tension In Chords Sep 87 112 Technique Issue Page Arpeggios, Part 1 Feb 91 118 Arpeggios, Part 2 Mar 91 100 The Art Of Sevenths, Part I Dec 89 102 The Art Of Sevenths, Part II Jan 90 125 Chromatic Figuration Jun 89 96 Creating Scales: From One, Many Jul 88 118 The Expressive Octave Feb 88 120 How To Use Quarter-Tone Tuning Feb 89 98 The Legato Third Apr 88 101 More Octave Tricks Part II Mar 90 101 Playing Fifths Sep 89 88 Playing Related-Note Figures Jan 88 107 Playing Sixths, Part II Nov 89 93 Polishing The Notes In Between Jun 88 112 Precious Seconds Apr 90 113 Seconds In Diatonic Settings May 90 85 Sixths And Sense Oct 89 101 Some Octave Tricks Feb 90 105 Split Keyboard Techniques Jan 89 118 Thumb Turn Terror, Part II Sep 90 116 Thumb-Turn Terror Aug 90 99 The Trill, Part 1 Nov 90 103 The Trill, Part 2 Jan 91 103 Warm-Up Exercises Oct 88 103 This document and its contents is copyright young monkey. 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