Keyboard - Articles Aug 80 - Jul 98
	Reviews Contents Business Buyer's Guides Clinic Computers Do-It-Yourself Drum Machines / Percussion Guest Editorial Jazz Keyboards Master Class MIDI Multimedia Organ Patches Piano Plug In Profile Reader Tips Recording Sampling Sequencing Sidebar Song Writing Sound Page Studio Synthesizers Technique Worldview Unsorted Basic Synthesis Issue Page A Painless Introduction to Oscillator Pitch Control Jan 84 71 An Envelope By Any Other Name Dec 84 76 Attenuators, More or Less Nov 83 83 Envelopes 101: Postmen and Roller Coasters Nov 84 78 Esoteric Envelope Functions Apr 85 80 The Five Faces of Filter Feedback Jul 84 70 Fun with Filters May 84 71 Ins, Outs, & Modulation Attenuation Oct 83 71 Learning the Lingo Aug 83 51 The Little Envelope that Could Jan 85 63 Modulation & Voltage Control Sep 83 64 Oscillator Waveforms & Harmonic Spectra Apr 84 67 Oscillators and Other Vibrating Objects Dec 83 84 Please Don't Eat the Bandpass Filters Sep 84 72 Waveforms: The Untold Story Feb 84 80 Wuthering Filter Cutoff Frequencies Jun 84 88 Keyboards Und Isolde- Film at 11 May 85 63 On Synthesizers Advances in Pitch-Bending Mar 83 61 The Alpha Syntauri Nov 81 76 The Apple II/Rhodes Chroma Interface Sep 82 58 Ars Electronica, An Electronic Arts Festival Dec 80 58 Ars Electronica, Part II Jan 81 56 Ars Electronica, Part III: Two Main Events Feb 81 69 Ars Electronica, Part IV: The Organizers Mar 81 54 Bach, Carlos, and the Synthesizer Mar 85 85 Breadboarding Interface Circuits Apr 82 57 Computer-Synthesizer Interfaces Jan 82 70 Computer/Synthesizer Interfaces, Part V May 82 52 Digital Sampling Keyboards, Part 1: A Brief History of Tape and Optical Sampling Sep 85 76 Digital Synthesis, Part I Sep 83 68 Digital Synthesis, Part II Oct 83 73 Digital Synthesis, Part III: Fourier Synthesis Nov 83 70 Digital Synthesis, Part IV Dec 83 72 Digital Synthesis, Part V: Some Alternatives Jan 84 72 Equally Tempered and Chromatic Scales Jul 84 74 The Ideal Synthesizer Keyboard, Part II: Velocity Sensitivity Jan 85 56 In Search of the Ideal Synthesizer Keyboard Nov 84 82 It's A Bird! It's A Toy! It's A Synthesizer! Oct 80 60 Making the Scene at the AES Convention Feb 83 68 Microtonal Equal-Tempered Scales Aug 84 64 The Minimoog Era Aug 81 50 More On Computer Control Jun 82 64 More On Computer Interfacing Oct 82 66 More On Computer-Based Sequencers Jul 81 72 Musical Uses of Personal Computers Jun 81 63 My Part in the Performance of Erdenklang Jan 83 56 Nine Times The Color Red Explodes Aug 80 50 Novel Applications for Vocoders Mar 84 61 Pack Up Your Computer In Your 'Ol Gig Bag. . . May 81 58 Pitch, Intonation, & Tone Color Sep 84 74 Programmable Resistor and Attenuator Mar 82 54 Random Signals Aug 82 60 Real-Sounds Sampling Instruments May 84 66 Reshaping Harmonic Content with a Vocoder Feb 84 72 Sampling Instruments, Part 4: More Listening Tests for Digital Samplers Feb 86 94 Secret Minutes of the Union Meeting Apr 84 63 Simple Circuits for Computer Control, Part 1 Feb 82 67 Sound Sampling Instruments, Part 2: Technical Specs & Sound Quality in Digital Sampling Oct 85 97 Sound Sampling Instruments, Part 3: Quick Listening Tests for Digital Samplers Nov 85 84 Temperament & Tuning, Part 1: Consonance & Harmony Jun 84 84 The Tortuous Path of Innovation May 85 65 Unexplored Resources of the Casio CZ-101 Apr 86 94 Wendy Carlos On Computers Dec 82 64 Why They Don't Apr 83 58 Why They Don't, Part II May 83 66 Why They Don't, Part III Jun 83 72 Practical Synthesis Issue Page A Lead Synthesizer Dimensionizer Mar 81 50 A Quick Tour of Digital Synthesizers Jul 82 59 Apple Computer Sound Routine Apr 82 65 ARP: The Early Years May 82 58 Exploring Voltage Control Dec 81 67 Home Computer Sequencer Feb 81 67 Home Computer Sequencer, Part II Jun 81 65 Home Computer Sequencer: Flow Chart Sep 81 50 Home Studio Recording Mar 82 58 Introduction to Assembly Language Jul 81 74 Percussion Sounds Apr 81 51 Processed Noise Effects Nov 81 71 Recording Air Pocket Jan 81 52 Synthesizing A Bass Tone Oct 81 66 Synthesizer Basics Issue Page The Sample-And-Hold Oct 80 66 Why Modular? Aug 80 55 Synthesizers In Performance Issue Page Advanced Instrument Design Features for Enhanced Live Performance Jul 85 86 Chord Slides with Polyphonic Portamento Aug 84 70 Controlling Volume in a Multi-Keyboard Setup Oct 86 117 Don't Let the Keyboard Mislead You Feb 84 77 Esoteric Ways of Controlling the Pitch (Spitball, Slider, Etc.) Aug 85 66 Expanding Your Lead Lines with Octave Transpositions Mar 84 66 Feedback Effects Feb 85 83 Frequency Modulation & Vibrato Mar 85 89 Hand Position for Pitch-Bending Nov 84 75 How to Create Microtonal Scales Apr 84 72 Pitch-Benders & Other Controllers Oct 84 86 Pitch-Bending Exercises Jan 85 58 The Portamento of No Return May 84 68 Synthesizer Features for Performers, Part 1 May 85 66 The Ultimate Performance Setup Apr 85 70 Voice Assignment Modes on Polyphonic Keyboards Jul 84 77 The Volume Dimension, Part 2: Level Settings & Envelopes Nov 85 90 The Volume Dimension-Using Pedals to Add Expression Oct 85 94 Vintage Synths Issue Page The ARP 2600 Oct 89 108 The Chroma The Synth That Survived ARP's Fall Oct 93 64 The Crumar GDS & Digital Keyboards Synergy Additive Synthesis Epitomized Jan 94 54 Don Leslie: The Whirl To Success Apr 90 121 The E-mu Emulator: First Affordable Digital Sampler Jan 93 108 E-mu Modular Analog Synthesizer Jan 90 102 EML Synthesizers: Affordable Alternatives to Moogs & ARPs Mar 93 124 The EMS VCS3 & Synthi A/AKS Nov 90 104 The Fairlight CMI Trailblazing Megabuck Sampler Aug 92 136 The Hammond B-3, Part 1: All Hail The Vintage King Sep 91 116 The Leslie Speaker, Part 2 Jun 90 87 The Linn LM-1 Drum Computer Sep 90 112 The Mellotron: Pillar Of A Musical Genre May 91 108 The Minimoog: The Ultimate In Antique Analog? Sep 89 92 The Oberheim SEM Module Dec 89 116 Paia Electronics: Synthesizer Kits Sep 93 114 The PPG Wave: Vintage German Digital Jan 92 108 The Rhodes Piano Bass & The Vox Continental The Original Doors Keyboards Feb 91 100 Roland CR-78, TR-808, & TR-909 Classic Beat Boxes May 94 82 The Roland MC-8 Microcomposer Oct 90 116 Sequential Circuits Prophet-5 Feb 90 122 Serge Modular Systems Maximum Analog Horsepower Sep 94 54 Yamaha's CS-80: Heavyweight Champion Of The Early Polyphonics Mar 91 116 The World's First Digital Sample-Playback Synthesizers Mar 95 38 Issue Page Synthesizer Basics: Modular, Part II: Oscillator Modulation Sep 80 68 Synthesizer Gray Market Feb 84 21 Synthesizer Pioneer: Malcolm Cecil Jan 84 34 Synthesizers & Sincerity: Yanni Apr 91 56 This document and its contents is copyright young monkey. It may not be distributed or reproduced in any form without written permission.