| In The Studio | Issue | Page |
| Advanced Tape Editing Techniques | Jan 88 | 122 |
| Back To Stereo | Mar 87 | 115 |
| Choosing A Keyboard Mixer, Part II | Mar 86 | 84 |
| Echo & Delay on the Beat & in the Hall | Jul 85 | 84 |
| Evaluating Keyboard Mixers, Part 1: Inputs & Equalizers | Feb 86 | 106 |
| Evaluating Keyboard Mixers, Part III: Busing and Automation | Apr 86 | 97 |
| Get Your Kicks with These MIDI Tricks | Jul 86 | 122 |
| How To Maintain A Studio Tan | Oct 88 | 118 |
| Hums, Buzzes, & Things That Go Bump in the Night | Jan 86 | 116 |
| In Search of the Perfect Sample | Mar 85 | 88 |
| Keeping Track Of Your Tracks | Aug 88 | 122 |
| Linn 9000: Post-Apocalyptic Tips of Doom | Oct 86 | 112 |
| Looking At Levels | May 87 | 104 |
| Making the Most of Reel Life | Aug 86 | 117 |
| MIDI Arranging: Bass Lines Deluxe | Mar 90 | 112 |
| MIDI Arranging: Getting Started | Feb 90 | 120 |
| Miking Acoustic Pianos | Oct 85 | 96 |
| Mixer Automation Then & Now | Apr 88 | 118 |
| More On Levels, Meters, And S/N Ratios | Jul 87 | 138 |
| Putting Sync Tones & Click Tracks on Tape | Jan 85 | 61 |
| Q: Are We Not Signed? A: We Are Demo! | May 85 | 62 |
| Rack-Mounting Your Gear | Sep 88 | 125 |
| Soundproofing: There Goes The Neighborhood | Aug 87 | 105 |
| Staying One Sample Ahead Of Technological Change | Feb 87 | 122 |
| Studio Sync Tips | Jan 90 | 101 |
| Tape Editing Basics, Part 1 | Oct 87 | 114 |
| Tape Editing, Part 2 | Dec 87 | 135 |
| Teaching An Old Noise Gate New Tricks | Jan 87 | 99 |
| That Dirty Hiss! You Try Scrubbing It Out | Dec 86 | 112 |
| Tips of Doom, Part 2 | Nov 86 | 126 |
| Using Compression and Limiting with Keyboards | Dec 85 | 102 |
| Using Pre-Delay to Add Life to Your Reverb | Nov 85 | 86 |
| Using SMPTE Interface Devices | Feb 85 | 80 |
| Using SMPTE to Add Life to Drum Machines | Sep 85 | 74 |
| The Veins and Arteries of Your Keyboard Setup | Jun 86 | 132 |
| What's Left Is Not Right | Apr 87 | 117 |