Keyboard - Articles Aug 80 - Jul 98
	Reviews Contents Business Buyer's Guides Clinic Computers Do-It-Yourself Drum Machines / Percussion Guest Editorial Jazz Keyboards Master Class MIDI Multimedia Organ Patches Piano Plug In Profile Reader Tips Recording Sampling Sequencing Sidebar Song Writing Sound Page Studio Synthesizers Technique Worldview Unsorted Digital Sampling Issue Page A Good Reason to Dust off that Calculator Mar 86 82 Attack Of The Armchair Sampler Jun 87 134 Better Samples Through Equalization Sep 86 123 Direct-To-Disk Recording Jul 88 133 Eking A Lot Out Of A Little: Alternate Data Formats Explained Mar 88 117 Electric Guitar Jan 90 122 Getting Down To Brass Attacks May 89 109 Hard Disks For Samplers Jun 88 136 Hip Horn Hints Dec 89 109 How to Control Aliasing by Filtering and Half-Speed-Mastering Your Samples Apr 86 102 It's A Sampler And A Drum Machine Jan 87 101 Just Don't Get Soap Suds In The Microphone Feb 87 118 Just Strummin' Along Oct 89 110 The Legality of Sampling from Unauthorized Sources Dec 86 120 Logging, Miking, SMPTE, & The Marauding Iguana Mar 87 112 Look, Ma - No Tines Mar 90 117 Make Your Samples Work Together Sep 87 132 More Distortion Solutions May 86 106 Oohs, Aahs, & Hhaahhs Nov 89 106 Overcoming The Fear Of Sampling Sep 88 126 Playing Realistic Snare Drum Parts Apr 89 106 Real-World Uses For Digital Formats Oct 88 125 Realistically Sampling Multi-Register Acoustic Instruments Oct 86 104 The Rhythm Abacus: Programming Drums Roland-Style Feb 90 98 The Roots of Keyboard Sampling Jan 86 114 Sample Swapping May 88 112 Sampled Pads Jun 90 97 Sampled Percussion Part II Aug 89 112 Sampled Percussion, Part I Jul 89 107 Sampling Analog Bass Jun 89 101 Sampling Basics Setting Levels & Truncating Jul 87 134 Sampling Drums & Percussion Nov 88 137 Sampling Resolution Bit by Bit Feb 86 99 Sampling Spec Wars Nov 87 128 Sampling Spec Wars Revisited Dec 87 134 Share the Wealth and the Memory Through Multisampling Jul 86 126 Stereo Sampling: Friend Or Foe? Apr 88 126 Stop, Look, & Listen Before You Sample Jun 86 135 Techniques For Sampling Drums May 87 114 Transposing Samples: Not for the Squeamish Aug 86 119 The Ups & Downs Of Pitch-Shifting Techniques Jan 88 118 Using Envelopes To Customize String Samples Feb 89 110 What To Do When Your Samples Exceed The Dynamic Range Of Your Sampler Aug 87 103 Issue Page Absolute Ultimate Sampled String Library: Denny Jaeger & His Trusty Synclavier Jan 89 68 Digital Sampling Keyboards: What's Available How They Work Dec 85 32 EMF: Techno Tribulations and Sampling with Attitude Jul 93 38 Future Sound of London: Human Sampling Machines May 97 58 Hot The Cool And The Warped: Turn Your Sampler Into A High-Powered Effects Processor Feb 91 64 Insert Sample A in Sampler B: An In-Depth Look at Cross-Platform Sample Compatibility Feb 95 79 Rhapsody in Glue: A Sampler of Keyboards & Keyboardists on Stamps Nov 85 48 Safe Sampling: How To Use Loop Source CDs & Still Sleep Soundly Feb 95 67 Sample the World, Part II: The Hit-Makers, or is That Hit-Takers? Apr 96 33 Samplers '94: Back Street Bargains & Bad Loads Aug 94 97 Samplers '94: How the Current Samplers Stack Up & What it All Means Aug 94 113 Samplers '94: Lab Test Results: Cold Hard Facts Aug 94 121 Samplers Laid Bare: How We Set Up Our Lab Tests & What We Learned Mar 89 50 Sampling Jargon Illustrated Jun 88 66 Sampling Nation: "They're Making Samplers Wrong" Six Techno Sampleheads Dump the Digital Garbage May 94 44 Sampling Nation: The Good the Bad and the Noisy How Four of Hip-Hop's Finest are Taking Samplers to New Lows May 94 30 Sampling Nation: The Universe is their Orchestra Experimental Composers Jam the Loop May 94 55 Sneaker Pimps: Superhero Sampler Defender Jun 97 68 Tangled Thread: Sampler Features & Terminology Explained Mar 89 29 This document and its contents is copyright young monkey. It may not be distributed or reproduced in any form without written permission.