Aug 80 - Jul 98
Contents
Reviews
|
| Art of Recording | Issue | Page |
| Entering the Gap Between Playing & Engineering Keyboard Studios '86 | Jun 86 | 64 |
| For Further Reading | Jun 86 | 126 |
| Getting Creative | Jun 86 | 88 |
| Need Unlimited Time? On a Tight Budget? Put Together Your Own Home Studio | Jun 86 | 40 |
| Outboard Gear Magic Boxes for Painting Sound in a Thousand Colors | Jun 86 | 72 |
| The Perfect Take Starts Before You Go Into the Studio | Jun 86 | 120 |
| Recording Piano & Synthesizers Today's Top Engineers Reveal Their Tricks | Jun 86 | 106 |
| Secrets of Syncing Ten Ways to Get Locked Up (Without Committing a Crime) | Jun 86 | 94 |
| Tech Talk A Simplified Guide to Specs, Levels, & Tape Formats | Jun 86 | 43 |
| Digital Home Recording | Issue | Page |
| 22-32-44-48-956 Hike! | Feb 98 | 146 |
| A Question of Balance | Jun 96 | 122 |
| All We Are Is Rust in the Tape | Feb 96 | 160 |
| Analog Sounds for Digital Recording | Dec 96 | 178 |
| Are You Ready for Hard Disk Recording? | Jul 96 | 127 |
| Buying/Upgrading A Windows Machine for Audio | May 98 | 130 |
| Cleaning Your Windows for Digital Audio | Aug 97 | 150 |
| Digital-to-Digital Transfers | Mar 96 | 128 |
| Digitally Clean Vocals | Oct 95 | 122 |
| Direct Directions | Mar 98 | 116 |
| Drum Replacement | Dec 97 | 122 |
| Fear of Cassettes: The Cruel Transition to Analog | Apr 95 | 119 |
| Feeding Your Studio | Jul 95 | 123 |
| Feelin' Groovy | Jun 98 | 110 |
| Feelin' Groovy, Part 2 | Jul 98 | 110 |
| Going Through a Phase | Mar 97 | 126 |
| Guerilla Digital Reverb | Sep 95 | 134 |
| Here Come the MiniDiscs | May 97 | 136 |
| How To Get Wired | Jan 98 | 130 |
| Hum Scum & Ground Loops | Aug 95 | 136 |
| Ins & Outs of Soundcard Audio I/O | Jun 97 | 126 |
| Is This Love or Is This... Confusion? | May 95 | 122 |
| Mac vs. PC: The Final Word (for This Week, at Least) | Apr 96 | 127 |
| Mama's Got A Squeezebox | Dec 95 | 178 |
| The MD/MIDI Connection | Jul 97 | 146 |
| Micro-Mutation for Multitracks | Feb 97 | 141 |
| Mixing with Effects | Jan 97 | 137 |
| Mixing: Beyond Level Changes | Jan 96 | 130 |
| Project Mastering: Kids, Do Try This At Home! | Sep 97 | 118 |
| The Punch Factor | Mar 95 | 103 |
| RAM Recording for Remixes | Aug 96 | 122 |
| Reality Check: Now What? | Sep 96 | 127 |
| Sampling Safari | Apr 97 | 120 |
| Snapshot Mixing for the Rest of Us | Nov 96 | 127 |
| Soundcard Survival with Windows 95 | Oct 96 | 135 |
| Systems & Options | Jan 95 | 135 |
| Tips from ADAT-Man | Nov 95 | 138 |
| Transferring Multitrack Digital Audio | Nov 97 | 106 |
| True Lies & Digital Audio | Feb 95 | 158 |
| Two-Track Recording For Cheap | Jun 95 | 128 |
| The Virtual Aux Bus | Apr 98 | 122 |
| When is a Clone Not a Klone? | Oct 97 | 116 |
| Home Recording | Issue | Page |
| Choosing The Right Effects | Mar 88 | 126 |
| Combining Tape Sync & Bouncing | Jan 88 | 110 |
| Creative Uses Of Tape Sync | Sep 88 | 128 |
| Do I Need SMPTE Or Don't I? | Jul 88 | 128 |
| From One, Many | Dec 87 | 127 |
| Recording Ten Parts Onto Four Tracks | Oct 87 | 118 |
| Sequencer Sync For An Affordable Direct-To-Digital Sound | Feb 88 | 133 |
| Splitting A Lead | May 88 | 120 |
| Tricks For Your Digital Delay | Jun 88 | 128 |
| Trouble-Shooting Tape Sync | Aug 88 | 112 |
| Twenty Parts On Eight Tracks | Nov 87 | 124 |
This document and its contents is copyright young monkey.
It may not be distributed or reproduced in any form without written permission.