| Contemporary Piano | Issue | Page |
| Akira Miyoshi's Chaines | Sep 82 | 60 |
| Albright's Five Chromatic Dances | Mar 81 | 56 |
| American Music Competition | Sep 81 | 56 |
| An Exegesis Of Stockhausen's Klavierstück X | Feb 81 | 68 |
| Analysis & Emotion | Aug 83 | 52 |
| Arnold Schoenberg's Twelve-Tone Prototypes | Jun 88 | 104 |
| Bartok's Improvisations, Op. 20 | Dec 82 | 66 |
| Bartok's Marriage of Piano and Folk Idioms | Oct 87 | 105 |
| Bartok's Sonata For Piano | Jan 88 | 104 |
| Bartok's Three Studies | Dec 87 | 108 |
| Bartok's Transformation of Folksongs | Nov 87 | 114 |
| Ben Webber's Fantasia | Jan 83 | 58 |
| Berio's Sequenza IV | Oct 89 | 106 |
| Berio's Sequenza IV, Part II | Nov 89 | 101 |
| Boulez' Second Sonata | Dec 81 | 69 |
| Carl Ruggles' Evocations | Feb 84 | 73 |
| Chamber Music & Kontakte | Aug 80 | 58 |
| Charles Ives' First Sonata | Nov 86 | 116 |
| Composer Index 1980-1983 | Dec 83 | 71 |
| Composers Between The Wars | Sep 87 | 120 |
| Dallapiccola's Quaderno Musicale | Apr 83 | 61 |
| Debussy and Arnold Schoenberg- A Study in Contrasts | Jul 86 | 35 |
| The Early Years of Charles Ives | Oct 86 | 101 |
| Essential Twentieth-Century Repertoire | Aug 82 | 58 |
| Fertile Years For Piano Composition: 1900 To 1920 | Aug 87 | 90 |
| Fossils, White Wigs, & Classical Piano | Dec 89 | 101 |
| George Crumb's Five Pieces | Jul 83 | 66 |
| George Crumb's Gnomic Variations | Nov 83 | 71 |
| George Perle's Six Etudes | Sep 83 | 66 |
| George Rochberg's Twelve Bagatelles | May 83 | 67 |
| Henry Cowell | Jan 89 | 112 |
| How to Learn a Difficult Piece | Mar 84 | 60 |
| In The Footsteps Of Henry Cowell | Feb 89 | 96 |
| International American Music Competitions | Jan 81 | 53 |
| Interpreting Schoenberg | Jun 81 | 62 |
| Isang Yun's Five Pieces | Jun 83 | 69 |
| Leon Kirchner's Sonata | Jun 82 | 62 |
| Manuel de Falla's Fantasia Baetica | Feb 82 | 69 |
| Maurice Ravel's Gaspard De La Nuit | Mar 87 | 100 |
| More Of Bartók's Sonata | Feb 88 | 118 |
| Notating Emotion | Jul 82 | 61 |
| Olivier Messiaen's Vingt Regards Sur L'Enfant Jesus | Jan 84 | 66 |
| The Perception of the Past | May 82 | 56 |
| Persichetti's Eleventh Sonata | May 81 | 52 |
| Persichetti's Fourth Sonata | Apr 81 | 48 |
| The Piano Music of Charles Griffes | Feb 83 | 64 |
| The Piano Music of Pierre Boulez | Jul 89 | 104 |
| Piano Music of Roger Sessions | Oct 80 | 61 |
| The Piano Sonatas Of Alexander Scriabin | May 87 | 95 |
| Pierre Boulez' Third Sonata | Aug 89 | 106 |
| The Postwar Avant-Garde | Mar 89 | 83 |
| Preparing Audition Tapes | Mar 82 | 56 |
| Prokofiev & Stalin | Nov 88 | 122 |
| Prokofiev & The Russian Revolution | Sep 88 | 110 |
| Prokofiev's War Sonatas | Dec 88 | 103 |
| Ravel's Miroirs | Feb 87 | 110 |
| Realities of the Music World | Oct 82 | 62 |
| Rejecting Drama: French Music In The 1920s | Jul 88 | 112 |
| Rzewski's The People United | Dec 80 | 63 |
| Schoenberg's Op. 11, No. 13 | Jul 81 | 70 |
| Schoenberg's Op. 23 & Op. 25 | Aug 81 | 56 |
| Schoenberg's Six Little Piano Pieces, Op. 19 | Sep 86 | 114 |
| Schoenberg's Stroke Of Genius: The Twelve-Tone System | Apr 88 | 104 |
| Schoenberg: From Romanticism to Atonality | Aug 86 | 102 |
| Scriabin Sonatas, Part II | Jun 87 | 131 |
| Sergei Rachmaninoff: Romantic & Reactionary | Jul 87 | 38 |
| Sets of Short Pieces | Mar 83 | 60 |
| Skeletal Motifs In The Emerson Movement Of Ive's Concord Sonata | Jan 87 | 92 |
| Some Easy Pieces | Nov 82 | 66 |
| Stockhausen's Klavierstücke | Apr 89 | 100 |
| Stockhausen's Klavierstücke Revisited | May 89 | 104 |
| Stravinsky's Solo Piano Works | Mar 88 | 102 |
| Theater Pieces of the '60s | Jan 82 | 69 |
| Theory & Performance | Nov 81 | 70 |
| The Third International American Music Competition | May 84 | 70 |
| Three Recent Piano Sonatas | Apr 84 | 64 |
| Three Recent Pieces | Oct 81 | 64 |
| Two New Pieces | Apr 82 | 58 |
| Unifying Elements In Ives' Piano Sonatas | Dec 86 | 102 |
| The Value of a D.M.A. | Oct 83 | 70 |
| Improvisational Piano | Issue | Page |
| Jerry Lee Lewis: The Rock Epiphany | May 93 | 126 |
| The Third Man | Oct 90 | 121 |
| A Second Helping Of Thirds | Nov 90 | 111 |
| All Aboard The Mystery Train | Apr 91 | 123 |
| Beat Me, Daddy, Eight To The Bar | Feb 91 | 102 |
| Beyond Floyd: The Harmonic Convergence | Mar 93 | 118 |
| Blues 101 | Jul 90 | 110 |
| Collective Invention: The Genius Of Jazz Performance | Jun 92 | 131 |
| The Country Connection | Jan 93 | 102 |
| Fats Domino & The Jigsaw Rhythm Theory | May 92 | 115 |
| Fats Domino, Part 1 The Nascence Of Rock Piano | Apr 92 | 110 |
| The Floyd Lick | Feb 93 | 129 |
| From Rags To Riches | Apr 90 | 102 |
| Honky Tonk, Take Two | Jun 91 | 101 |
| The Impact Of Rhythm On Solo Conceptions | Jul 92 | 107 |
| Jingle Me, Daddy | Dec 92 | 167 |
| The Left Hand In Transition | Nov 91 | 127 |
| Little Richard & The Ecstasy Of Rock | Sep 92 | 118 |
| Motivic Development in Rock & Jazz | Aug 93 | 126 |
| New Orleans Piano Fundamentals | Sep 91 | 114 |
| The Pianist As One-Man Band | Feb 90 | 119 |
| Pianos & Blues: The Shotgun Marriage | Aug 90 | 101 |
| Professor Longhair: The Apotheosis Of New Orleans Piano | Feb 92 | 126 |
| Ridin' The Yancey Special | Mar 91 | 115 |
| Rocking By Numbers | Oct 92 | 125 |
| Stepping Beyond Stride | Mar 90 | 108 |
| Streamlining Stride | Jun 90 | 95 |
| Three Paths, One Goal | Jan 90 | 118 |
| Way Down Yonder In New Orleans | Aug 91 | 139 |
| Whole Lotta Poundin': A Lesson in Lewis | Jun 93 | 110 |
| Solo Piano | Issue | Page |
| A Proper Introduction | Oct 96 | 132 |
| Allow Me to Introduce You | Feb 96 | 158 |
| An Embarrassment of Riches | Apr 97 | 112 |
| Approaching Bebop Piano | Mar 96 | 124 |
| Bach Again | Nov 97 | 124 |
| Bach, Suite Bach | Oct 97 | 142 |
| Blue Monk | May 97 | 134 |
| Breaking Down a Bossa | Sep 96 | 124 |
| Cool Sounds for a "Silent Night" | Dec 95 | 172 |
| Cycling for Chord Mastery | Oct 95 | 124 |
| Digging In | Mar 98 | 122 |
| Do You Hear Voices? | Feb 95 | 148 |
| Essential Listening for Jazz Piano | Feb 97 | 162 |
| Evidence | May 98 | 132 |
| Experiment, Experiment, Experiment | Mar 97 | 116 |
| Follow the Bouncing Scales | Apr 95 | 123 |
| Follow the Left-Hand Thread | Jul 96 | 116 |
| Go To the Source | Sep 95 | 144 |
| Going Back (And Fourth) In Time | Jan 96 | 140 |
| I Mean You | Jun 97 | 124 |
| In The Thick of It All | Nov 95 | 126 |
| Let the Games Begin | Apr 96 | 138 |
| Looking Back, Looking Forward | Dec 97 | 134 |
| My Romance | Aug 97 | 134 |
| My Romance, Part 2 | Sep 97 | 112 |
| Octaves and Tone | Jul 97 | 124 |
| Piano Math: 3+6=10 | Dec 96 | 176 |
| Sarabande | Jun 98 | 120 |
| Sarabande, Part II | Jul 98 | 120 |
| Stretching The Harmonic Fabric | Mar 95 | 118 |
| The Balancing Act | Jun 96 | 126 |
| The Pianist's Touch | Nov 96 | 119 |
| Three Cheers for Your Ears | Aug 96 | 136 |
| Thumbs Up to Arpeggios | Jul 95 | 118 |
| Two's Accompany | Jun 95 | 131 |
| Velocity Variants and Voicing Vehemence | May 95 | 124 |
| Very Early | Jan 98 | 132 |
| Very Early, Part II | Feb 98 | 150 |
| Vocab for Improv | May 96 | 118 |
| When 3/4 is More Than 75% | Aug 95 | 134 |
| The Piano Technician | Issue | Page |
| 'Tis the Season to Be Tuning | Oct 86 | 109 |
| A Glossary of Tone | Dec 87 | 120 |
| A Layman's Guide To Tuning Pianos | Feb 87 | 125 |
| A Tool Box For The Working Pianist | Mar 87 | 118 |
| Acoustical Ingredients of Tonal Color | Sep 87 | 135 |
| Action Design, Materials, & Manufacturing | Sep 85 | 77 |
| All About Pedals | Dec 85 | 100 |
| Attack and Decay: Fingerprints of Piano Tone | Nov 87 | 130 |
| Changing Tone, Part 1: Strings & Hammers | Mar 88 | 128 |
| Changing Tone, Part II: Voicing | Apr 88 | 125 |
| Don't Believe Everything You Read (on a Price Tag) | Jul 86 | 119 |
| Feeling at Home with Your New Piano | Aug 86 | 118 |
| Final Preparation of a Piano in the Factory-A Difference You Can Really Notice | Feb 86 | 97 |
| How Technique Affects Tone | Jun 88 | 130 |
| How To Glue A Broken Hammer Shank | Jul 87 | 140 |
| Humidity and Your Piano | Nov 86 | 130 |
| It's the Real Thing! (Or is It?) | Apr 85 | 78 |
| Leverage & Weight: The Keys to Evenness of Response and Playability | Oct 85 | 92 |
| Looking at Legs & Lids | Jun 85 | 78 |
| Marketing Makes the Piano World Go 'Round | Jan 85 | 59 |
| Out of Tune with Reality | Feb 85 | 82 |
| Pedal Adjustments Of The Rich And Famous | May 87 | 112 |
| Piano Hammers: Another Favorite Site for Sales Gimmicks | Nov 85 | 85 |
| Piano Warranties, Part II: Reading the Fine Print | Apr 86 | 96 |
| Piano Warranties: Sometimes More is Less | Mar 86 | 90 |
| Prices, Sales, and Merchandising | Jun 86 | 131 |
| Quality & Sophistication in Piano Cabinetry | May 85 | 64 |
| Room Acoustics & Other Tonal Factors | May 88 | 110 |
| Scale Design & Strings | Feb 88 | 134 |
| The Secret Life Of The Piano Technician | Jul 88 | 144 |
| The Secret Life Of The Piano Technician, Part II | Sep 88 | 120 |
| Sounds Too Good To Be True | Mar 85 | 90 |
| Stalking the "Reputable" Piano Dealer | May 86 | 96 |
| Those Awful Clicks, Buzzes, Squeaks, & Rattles | Aug 87 | 109 |
| Tuning, Part 1: Slippin' and Slidin' Around the Pins | Sep 86 | 128 |
| Unsticking The Stuck Key | Apr 87 | 115 |
| Where the Action Is: The Invisible Differences Between Vertical Piano Types | Jul 85 | 79 |
| Winter Is Icumen In- Ihude Sing Humidifiers | Dec 86 | 114 |
| Issue | Page |
| Aaron Copland: Three Piano Pasterpieces Variations, Sonata, Fantasy | Nov 80 | 37 |
| Abandoned Pianos of Harold Budd | Feb 86 | 66 |
| Ain't Misbehavin': Luther Henderson On Fats Waller & The Spirit Of Stride Piano | Dec 88 | 34 |
| Aki Takahashi: Carrying the Torch for New Piano Music | Mar 84 | 36 |
| Alexis Weissenberg: Outspoken Piano Virtuoso | Mar 81 | 22 |
| Answers to Eleven Basic Questions: Piano Care | Jul 83 | 43 |
| At the Piano with Eubie Blake: An Informal Interview by Marian McPartland | Dec 82 | 56 |
| Barbara Nissman: Taking Classical Piano to the Boardroom and the Assembly Line | Mar 82 | 44 |
| Bella Davidovich: Russian Classical Piano Sensation | Jul 82 | 32 |
| Big Band Piano: We're Not In Kansas City Any More | Nov 89 | 76 |
| Bowing, Scraping, Banging & Burning: Redefining the Resources of the Piano | Jan 87 | 42 |
| Business of Teaching Piano: A Guide to Finding and Encouraging Students, Professional Affilliations | Jan 85 | 26 |
| Conlon Nancarrow: The Unsuspected Universe Of The Player Piano | Jan 87 | 56 |
| Contemporary Piano Repertoire: A Guide For Teachers | Aug 81 | 44 |
| Contemporary Piano: The Scope of Piano Music | Sep 80 | 57 |
| Easy Piano Arrangement: Off The Record: Weather Report's 'Birdland' | Apr 89 | 42 |
| Emanuel Ax: Blazing New Trails through the Forest of Classical Piano Repertoire | Sep 84 | 22 |
| Europe: An Alternative for American Piano Students | Dec 82 | 24 |
| Firm: Dave Grusin Battles Soundtrack Conformity with a Taut Solo Piano Score | Oct 93 | 72 |
| Gershwin Goes MIDI: Even With Cutting-Edge Technology, Turning Rare Piano Rolls Into Software Transcriptions Wasn't Easy | Jul 90 | 64 |
| Good Rockin' With Jerry Lee Lewis: A Fifties Piano Legend Hits The Big Screen In Great Balls Of Fire | Aug 89 | 42 |
| Hilton Ruiz: Bebop & Latin Piano on the Streets of N.Y. | May 82 | 14 |
| Hot New Options In Digital & Sampled Pianos: Closing In On Perfection | Aug 88 | 90 |
| Japanese Essence in Classical Piano: Concert Virtuoso Minoru Nojima | Aug 85 | 38 |
| Jay McShann: Piano King of Kansas City Swing | Jun 81 | 24 |
| Katia & Marielle Labeque: French Classical Piano Duo on Tour with John McLaughlin | Jun 83 | 33 |
| Krystian Zimerman: Intimate Connections with Romantic Piano | Dec 87 | 50 |
| Lalo Schifrin: Piano Roots of a Master Film Composer | Feb 83 | 8 |
| Leo Smit: Taking A Fresh Look at the Piano Recital | Feb 82 | 30 |
| Margaret Leng Tan: Contemporary Piano | Dec 89 | 45 |
| McCoy Tyner's Tribute To Coltrane: Off The Record: "NAIMA" Piano Solo | Jun 89 | 44 |
| Michael Nyman: Inside "The Piano" | Oct 94 | 62 |
| Milestones or Millstones?: Upright Pianos of the Past | Aug 86 | 82 |
| Monk Piano Style | Jul 82 | 26 |
| Murray Perahia: Classical Piano's Reluctant Superstar | Apr 82 | 22 |
| Norma Teagarden: Queen of Stride Piano | May 84 | 28 |
| Off the Record: A Piano Solo by George Shearing | Aug 82 | 34 |
| Off the Record: A Piano Solo by George Winston "Moon" | Aug 81 | 48 |
| Off the Record: A Piano Solo by JoAnne Brackeen "Told You So" | Jan 82 | 44 |
| Off the Record: A Piano Solo by Lyle Mays "Ozark" | Feb 82 | 10 |
| Off the Record: A Piano Solo by Oscar Peterson | May 82 | 24 |
| Off the Record: An Electric Piano Solo by Clare Fischer | Jul 81 | 32 |
| Off the Record: An Electric Piano Solo by Peter Nero "I Got It Bad (And That Ain't Good)" | Apr 82 | 20 |
| Off The Record: Dr. John's Bayou Piano Clinic Rx: New Orleans Blues | Nov 90 | 65 |
| Off the Reord: A Piano Solo by Bill Payne | Jun 82 | 26 |
| One More For The Road: War Stories from the Front Lines of L.A.'s Lounge Piano Wilderness | Feb 94 | 34 |
| Peter Serkin: Classical Piano's "Enfant Terrible" Comes of Age | Feb 84 | 42 |
| Philip Aaberg: Solo Piano Musings from a Veteran Rock Sideman | Apr 86 | 34 |
| Pianist & Composer Anthony Davis: Redefining the Role of Improvisation in Contemporary Music | Aug 84 | 45 |
| Pianist Wayne Horvitz Finds Some New Notes To Play | Oct 88 | 90 |
| Piano Tuning Correspondence Schools | Nov 90 | 54 |
| Piano Virtuoso James Tocco Tells How It's Done | Dec 83 | 34 |
| Player Piano: Mechanical Evolution of the Automatic Keyboard | May 81 | 16 |
| Private Lesson, Part II: Bruce Hornsby Reflections on Power Chords, Bossa Blowing, & the Ambiguity of Rock Piano | Nov 93 | 41 |
| Recording Acoustic Pianos: All About Microphones | Dec 83 | 24 |
| Secrets of Salsa Rhythm: Piano With Hot Sauce | Jul 89 | 66 |
| Soundsheet & Transcription: "The Herald" An Improvised Piano Solo by Denny Zeitlin | Oct 84 | 26 |
| Twentieth Century: Duos & Duets An Annotated List of Music for Piano, Four Hands, and Two Pianos | Mar 83 | 40 |
| Ursula Oppens: Tackling the Challenges of Contemporary Piano Repertoire Exclusive Recording: Nancarrow's Polyrhythmic Tango? | Aug 87 | 66 |
| Van Cliburn Competition: Inside Classical Piano's Starmaking Machinery | Nov 81 | 18 |